約 7,077,097 件
https://w.atwiki.jp/cohwbg/pages/33.html
目次 総合Tips #1 死角 総合Tips #2 待機中の部隊 総合Tips #3 駐屯している部隊(建物内の部隊) 基本Tips #4:Retreating(退却) 基本Tips #5:Enemy Footsteps(敵の足音) 基本Tips #6:Dropped Weapon(落ちている武器) 基本Tips #7:Artillery(砲撃要請) 基本Tips #8:Sniperでの監視 基本Tips #9:Panzershrenks/Bazookas (バズーカ/パンツァーシュレック) 基本Tips #10:Avoiding Grenades(手榴弾を避ける) 基本Tips #11:Mortar Accuracy and Damage(Mortar部隊の命中精度とダメージ) 基本Tips #12:Mine/Barbwire Combo(地雷と鉄条網の連携) 基本Tips #13:The Tactical Map(戦略マップ) 基本Tips #14:Unmanned AT Guns(クルーが居ないAT Gun) 基本Tips #15:tracking Enemy Snipers(敵Sniperの追跡) 基本Tips #16:Turning the Tide(ゲームの流れを変える) 基本Tips #17:Upgraded Infantry(アップグレードした歩兵) 基本Tips #18:Micro and Macro(細かい操作と広い視野) 基本Tips #19:Mine-triggering(地雷の起爆) 基本Tips #20:Anti-Tank Guns(対戦車砲) 基本Tips #21:Reload Times(リロード時間) 基本Tips #22:バンカーの守備 General Tip #23 - Dancing [10/29/2006] General Tip #24 - Grenades vs Garrisoned Troops [10/30/2006] General Tip #25 - Backing Up [10/31/2006] General Tip #26 - Know Your Enemy! [11/1/2006] General Tip #27 - Kiting [11/2/2006] General Tip #28 - Killing Snipers [11/4/2006] General Tip #29 - Hiding [11/6/2006] General Tip #30 - One Way Door [11/7/2006] General Tip #31 - Control Groups [11/9/2006] General Tip #32 - Garrisoned Snipers [11/10/2006] General Tip #33 - Riflemen vs Garrisoned MG's [11/13/2006] General Tip #34 - Destroying Hedgerows [11/14/2006] General Tip #35 - Tactical Map [11/27/2006] General Tip #36 - Attack Ground [01/01/2007] General Tip #37 - Pioneers vs Engineers [01/15/2007] General Tip #38 - Medic Bunkers [01/22/2007] General Tip #39 - Evading with Sniper [02/05/2007] General Tip #40 - Tanks [02/12/2007] General Tip #41 - Cover [02/18/2007] General Tip #42 - Roadways [03/12/2007] General Tip #43 - Rally points from buildings [03/19/2007] General Tip #44 - Using Shift+Click [03/26/2007] General Tip #45 - Tabbing Units [04/02/2007] General Tip #46 - Camo-Counters [04/09/2007] General Tip #47 - Countering Barbed Wire [04/16/2007] General Tip #48 - Control Sectors [04/30/07] General Tip #49 - Unit/Resource Management [05/06/07] General Tip #50 - Selective Exiting [05/14/07] General Tip #51 - MG/Sniper Counter [28/05/07] General Tip #52 - The Dead Have Eyes [04/06/2007] General Tip #53 - Targetting in Large Scale Engagements [6/10/07] General Tip #54 - Overextending [7/02/07] General Tip #55 - Anti-spam [7/16/07] General Tip #56 - Early Game Tips [7/30/07] General Tip #57 - Advanced Mine Tactics [12/8/07] General Tip #58 - Pursuing and retreating [30/8/07] General Tips /General Tips 1~10 General Tip #1 - Blind Spots (9-5-2006) General Tip #2 - Idle Units (9-10-2006) General Tip #3 - Garrisoned Units (9-15-2006) General Tip #4 - Retreating (9-20-2006) General Tip #5 - Enemy Footsteps (9-26-2006) General Tip #6 - Dropped Weapons (10-1-2006) General Tip #7 - Artillery (10-2-2006) General Tip #8 - Sniper Spotters(10-3-2006) General Tip #9 - Panzershrenks/Bazookas (10-7-2006)? General Tip #10 - Avoiding Grenades (10-8-2006) General Tip #11 - Mortar Accuracy and Damage (10-10-2006) General Tip #12 - Mine/Barb Wire Combo (10-11-2006)? General Tip #13 - The Tactical Map (10-12-2006) General Tip #14 - Unmanned AT Guns (10-13-2006) General Tip #15 - Tracking Enemy Snipers (10-16-2006) General Tip #16 - Turning the Tide (10-17-2006) General Tip #17 - Upgraded Infantry (10-19-2006) General Tip #18 - Micro & Macro (10-20-2006) General Tip #19 - Mine Triggering (10-21-2006) General Tip #20 - Anti-Tank Guns (10-24-2006) General Tip #21 - Reload Times (10-24-2006) General Tip #22 - Garrisoned Bunkers/MG Nests (10-27-2006)? 総合Tips #1 死角 建物の中には、建物内のユニットが撃てない方向(死角)がある。これを使えば駐屯しているMGを撃ったり、手榴弾を投げ入れるような場合に犠牲を出すことなく建物に近づくことができる。 逆に自分のユニットを建物に入れる場合は建物の死角を確認し、その場所を他のMGや歩兵でカバーするようにすることを忘れないように。 総合Tips #2 待機中の部隊 待機中の部隊を活用させよう。もし、PioneerやEngeneerが何もしていないなら、敵の旗を取るように命令を出す。相手の旗にちょっかいを出すことで、相手の注意をそこに向けることができる。 さらに、旗を取られないために相手はそこに兵力を分散させなくてはならなくなる。相手の兵力が分散すれば、こちらの攻撃もより簡単になる。 他にできるのは、地雷を施設したり、ワイヤを張ったり、土嚢を作ったり、戦車妨害をつくったりする等。これらの防御設備を駆使すれば、相手の主戦力の進行を遅らせたり、あるいは、増援を送ることを阻止できるようになる。 待機中の部隊をできるだけなくすようにしよう。 総合Tips #3 駐屯している部隊(建物内の部隊) 駐屯している部隊に直接、特定のターゲットへの攻撃を指示することはできない。しかし、家単位、建物単位で彼らを選択すれば、彼らにどの敵部隊を攻撃するかを指示できる。 例えば、あなたがMGを駐屯させていて、それぞれ違う方向からVolksgrenadiersと火炎放射機を持ったPionnerが近づいてきたとする。駐屯しているMGに火炎放射兵を攻撃するように支持することでMGをみすみす死なせずにすることができる。 基本Tips #4:Retreating(退却) 元記事 http //www.gamereplays.org/community/index.php?showtopic=140093 退却はゲーム内のアビリティのなかで、とても使い勝手の良い部類に入ります。 ある部隊が苦しい状況に陥った際に(MGに撃たれている、数的不利や全滅寸前等) その部隊を選択し、"T"キーを押す事で司令部まで退却させる事が出来ます。 退却中は大きな守備ボーナスが付き、移動速度も速くなります。 退却は部隊を司令部周辺まで速く戻したい時にも有効な手段です。 しかし守備ボーナスが付くとはいっても、敵部隊からの攻撃が無効になるわけではありません。 Sniper等は敵の攻撃に弱いことに変わりはないので、ユニットを退却させる場合には退却経路に注意する必要があります。 Pinned(釘付け)になった部隊は殆ど使い物にならないので、通常は退却させる事が被害を減らす最善の手段です。 退却を上手く利用する事で部隊の補充や代替部隊生産などのコストを抑える事ができるでしょう。 基本Tips #5:Enemy Footsteps(敵の足音) 元記事 http //www.gamereplays.org/community/index.php?showtopic=141752 未占拠状態のエリアにHMG部隊を単独で送り込む場合、部隊周辺の画面に切り替えて足音を聞くようにします。 敵部隊の喋り声や足音が不可視エリアから聞こえてくる場合があります。 敵部隊の声や足音を確認したら、HMGを迎撃態勢にして敵の不意を突きましょう。 このように敵の不意を突ければ、敵小隊の何人かを倒し、かつこちらのHMG部隊の損失、退却を防げます。 敵小隊が全滅もしくは退却したら、HMG部隊を当初の目的の場所へ配置しましょう。 ゲーム序盤でHMG部隊の全滅や退却という致命的な状況を回避するにあたって、このテクニックは有効です。 基本Tips #6:Dropped Weapon(落ちている武器) 元記事 http //www.gamereplays.org/community/index.php?showtopic=143349 役立ちそうな武器(重火器以外)は確実に拾っておきましょう。 例えばGrenadierがRiflemanの落としたBARを拾えば、対歩兵攻撃力を増すことになります。 またRiflemanがBazooka/Panzershrekを拾えば、対戦車部隊となるでしょう。 Engineer/Pioneerが最前線で戦車を修理しながらBazooka/Panzershrekを撃っている姿を想像して下さい。 戦車戦の最前線において、とても効果的ではないでしょうか。 BARを持ったPioneerは、Pioneerは優れたEngineerに匹敵しないと思い込んでいる敵を驚かせる結果を生むでしょう。 もしあなたが戦車隊を、そして相手がAT砲を数多く持っている場合、 AT砲のクルーを倒した後、残されたAT砲に戦車で「Ground Attack」を仕掛ける事で、残されたAT砲を破壊する事が可能です。 これは相手のAT砲を除去する為の効果的な手法です。 落ちている武器を効果的に使うことでゲームの流れを変える事が出来るでしょう。 基本Tips #7:Artillery(砲撃要請) 元記事 http //www.gamereplays.org/community/index.php?showtopic=143791 あなたが敵陣への反撃を考えているときに、複数の敵部隊を本陣へ退却させる事が出来たら 装甲車を敵司令部に素早く向かわせ、敵司令部とその周りの部隊へ砲撃要請をすることで、敵部隊をも巻き込む最大限の効果を得られる場合があります。 タイミングが完璧であれば、相手は何も出来ません。 また敵が混乱していたり、1箇所に敵部隊が固まっている時にも砲撃要請は有効ですが、敵側も着弾数秒前から確認出来ます。 基本Tips #8:Sniperでの監視 元記事 http //www.gamereplays.org/community/index.php?showtopic=144108 Sniperは高コストで打たれ弱いユニットですが対Sniper用に使えたりと概ね有用で、中でも砲撃の監視役として最適です。 この砲撃監視はMortar部隊との組み合わせで有効です。 Mortarの砲撃範囲は部隊の視界外まで及びます。 Sniperで敵部隊の位置を見ながら、砲撃を行う事が可能になります。 射程距離が長いので、Mortar部隊を自分の戦力で守る事も容易でしょう。 相手はその場所をあきらめて退却せざるを得ないので、その隙に防衛線を押し上げていきます。 またマップ外からの砲撃支援や105mm howitzers、NebelwerferやWalking Stuka等でも、この戦術によって相手の予想しない打撃を与える事が出来ます。 身を隠しての監視により、敵が見ていないポイントへの砲撃を行い、敵軍へ打撃を与える事が出来ます。 (※注 敵はこちらの視界を考慮して戦っている為、こちらの視界外と思い込んでいる場所への砲撃は不意打ちになり得ます。) 敵戦車や部隊をしつこく狙っていく事で、敵はミニマップ上の表示に集中せざるを得なくなります。 基本Tips #9:Panzershrenks/Bazookas (バズーカ/パンツァーシュレック) 元記事 http //www.gamereplays.org/community/index.php?act=ST f=1252 t=145358 st=0#entry1769919 Panzershrenk/Bazookaを使う際に、覚えておきたい5項目。 1.部隊を広く散開させて、様々な角度から戦車を攻撃する 2.Riflemanでsticky bombを使う時のように、出来る限り接近する事 Panzershrenkは8yd以内で100%、17yd以内で60%の命中率。 Bazookaは8yd以内で100%、17yd以内で40%の命中率。 ちなみにsticky bombの投擲可能距離が17yd。 3.出来るだけ遮蔽物を利用する 石壁であったり、戦車主砲が貫通しない残骸等。 4.Panzershrenk/Bazookaはリロード(再充填)に7.5秒掛かる 撃った後3秒間はその場から離れ、次の3秒で目標に再接近する。 (遮蔽物に身を隠す事を忘れずに) 5.部隊が全滅して落としたPanzershrenk/Bazookaは必ず回収し、敵に渡さない事 1人だけの部隊でもPanzershrenk/Bazookaを2本回収する事が可能で、その部隊の人員補充をする事により、別の一人が自動的にPanzershrenk/Bazookaを装備します。 ※追記 連合のRangerでThompsonのupgradeを行った場合、1部隊で4本のバズーカを所有出来るとの事です。 (Tips本文以下のポスト参照) 基本Tips #10:Avoiding Grenades(手榴弾を避ける) 元記事 http //www.gamereplays.org/community/index.php?showtopic=145715 歩兵で銃撃戦をしている最中、特に敵歩兵部隊との距離が近い時には、敵歩兵の動きに注意しましょう。 敵部隊の一人が手榴弾を投げる動作を確認出来れば、あなたの部隊は余裕を持ってその手榴弾を避ける事が出来ます。 ※追記 手榴弾は回線遅延の関係でグラフィックから実際の炸裂までタイムラグが生じる場合があります。 特にチーム戦で起こりやすい症状のようです。 (Tip本文以下のポスト参照) 基本Tips #11:Mortar Accuracy and Damage(Mortar部隊の命中精度とダメージ) 元記事 http //www.gamereplays.org/community/index.php?showtopic=146067 Mortar部隊を最大限に活用していますか? Mortar部隊は敵からの距離が画面半分程度ならば、かなりの確率で命中させる事ができます。 また1.5画面分くらいの距離であれば、十分命中させる能力があり それ以上の距離でも命中に期待は出来ます。 またもう一つ…Mortarの砲撃は対装甲にレート1の貫通力を持っています。 ちなみにRifleの対装甲貫通力はレート0.01です。 つまりMortarの砲撃は装甲車に対して、単純にフルダメージを与えられると言う事です。 (※注 レートが何を意味するのかが不明瞭ですが、レート1=100%という事でしょう。多分.sga等の設定数値だと思います。) 基本Tips #12:Mine/Barbwire Combo(地雷と鉄条網の連携) 元記事 http //www.gamereplays.org/community/index.php?showtopic=146356 地雷と鉄条網に関するちょっとしたトリックです。 鉄条網で通路を塞いだ際に、真ん中の部分だけを取り壊して、そこに地雷を設置しておきます。 こうする事でここを通ろうとする敵は、100%地雷を踏む事なり、甚大なダメージを被ることになるでしょう。 地雷が炸裂した後は、再び地雷を設置したり、鉄条網できちんと塞いだりします。 必ずしも真ん中を空ける必要もなく、地雷を逆側に置いても構いません。 工兵であろうが、車両であろうが、そこを通り抜けようとすればダメージを受けるのです。 基本Tips #13:The Tactical Map(戦略マップ) 元記事 http //www.gamereplays.org/community/index.php?showtopic=146761 戦略マップでは部隊がアイコンで選択出来るので、ゲームスタート時などに便利です。 HQでEngineerを生産し、初期Engineerに施設建設を命令したら戦略マップを表示します。 戦略マップ上で工兵にShift+右クリックで拠点占領の行動予約をしておきます。 こうする事で無駄な操作や画面移動を省略する事が出来ます。 また自陣で待機しているユニットを前線へ動かしたい、 しかし戦闘中で視点を自陣まで動かし、ユニットを移動させ、また戦闘区域へ視点を戻すという作業はしたくない、という時。 ここでも戦略マップを使えば時間短縮ができ、操作量も相手に劣らなくなるでしょう。 NUM0キーを押し、自陣のユニットを動かし、再度NUM0キーを押せば元の視点にすぐ戻れます。 また自陣付近のユニットを動かしている間、戦闘状態を把握できる事も便利です。 例えば敵戦車がこちらの戦車の側面を取りに来た場合、すぐNUM0キーで元の画面に戻し、戦車に動かす事が可能です。 基本Tips #14:Unmanned AT Guns(クルーが居ないAT Gun) 元記事 http //www.gamereplays.org/community/index.php?showtopic=147051 クルーを倒した後のATGunの処理について考えた事がありますか?これには2つの選択肢があります。 1つは歩兵部隊でATGunを回収し、残った歩兵部隊を司令部等で人員補充する事です。 PioneerやEngineer以外であればATGunに人員を裂いて、残った部隊は人員補充する事が可能です。 VolksgrenaidierやRiflemanでATGunを回収し、残った部隊の人員を補充する方法が、無人のATGunを回収して自分のものにする際に一番得なやり方です。 もう一つの選択肢として、自分で回収する必要が無いが、敵に取られると困る場合、 戦車を無人のATGunの傍まで移動させ、ground attackで破壊する事です。 ground attackの際には、かなり傍まで寄らないとなかなか命中しない場合があります。 ATGunを壊す事はどちらの陣営であっても戦況に影響を及ぼし、壊した場合は若干のexpを得る事も出来ます。 まずはVolksgrenadierやRiflemanでATGunを回収し、残った部隊の人員補充をする方法をお奨めします。 基本Tips #15:tracking Enemy Snipers(敵Sniperの追跡) 元記事 http //www.gamereplays.org/community/index.php?showtopic=148323 敵Sniperに自分の兵士が攻撃された時には、画面左端に出る警告メッセージをチェックして下さい。 "Unit Sniped"という表示の脇の赤いアイコンをクリックすると、画面が敵Sniperの場所に飛びます。 アイコンが消えるまでは何回でもクリックでき、その間は敵Sniperが移動しても追跡する事が可能です。 ※スペースキーがイベントキュー発生地点に画面移動させるショートカットですので、Sniper対策に限らず活用出来ると思います。 ※Snipedのイベントキューが出た時は、ミニマップに赤い円が表示されるので、それも判断材料になります。 基本Tips #16:Turning the Tide(ゲームの流れを変える) 元記事 http //www.gamereplays.org/community/index.php?showtopic=149252 主に歩兵戦に関して言える事です。 ゲーム中に1on1の状況になった場合(Pioneer vs EngineerやRifleman vs Volks等)、その場所へもう1部隊向かわせて数的優位を作り出す事を常に心がけて下さい。 その時には、2部隊をどちらも敵部隊の正面へ置かないように。 1部隊を円を描くように回り込ませ、敵の背後を取るようにする事。 こうする事で2 engineer vs 1 Volksや2 pioneer vs 1 Riflemanでも勝機を見出す事が出来るでしょう。(多少運次第な部分はありますが) そしてもう1つ 歩兵戦の際には、良いカバーポジションを見つける事と止まる事を何より大事にして下さい。 良いカバーポジションを見つけてそこにしゃがみ、部隊が動き回るのを止めて下さい。 部隊が動きながら撃った場合の命中率は50%で、余り良くありません。 基本Tips #17:Upgraded Infantry(アップグレードした歩兵) 元記事 http //www.gamereplays.org/community/index.php?showtopic=149620 アップグレードして自動小銃(BARやMP40等)を持った部隊の場合、相手の部隊へ接近させた方がより効果的です。 長距離からでは半分がミスショットとなるでしょう。 敵に突撃することで、武器をアップグレードした効果をより発揮することが出来るでしょう。 基本Tips #18:Micro and Macro(細かい操作と広い視野) 元記事 http //www.gamereplays.org/community/index.php?showtopic=149976 これをマスターする為に努力しなければなりません。 敵と対峙する際にはいつも冷静に、集中し、そして広い視野で物事を考えなければいけません。 私がRTSゲームを始めた頃は、相手と同等もしくはそれ以上の操作や対応が出来ずに何回も負けていました。 そこで色々と練習をするようになりました。遠くからでも本陣の状態を注目することもそうです。 例えば本陣から離れたユニットを操作している間でも、時々資源を確認したり、ユニット探しのホットキー(動いていないユニットを探す)を使ってみたり。 CoHでは自陣施設のを選ぶのにF1、F2、F3…を良く使っています。 あなたが画面の中での戦いにより注目しながらも(ユニットの動きにより集中しながら)本陣を意識出来るようになった時、 あなたの中でミクロとマクロの融合が始まった、と考えます。 自分のものに出来れば、良い結果をもたらすことでしょう。 ※"Base"を「本陣」としましたが、「資源」や「自領内」など様々な意味合いを含んでいると思います。 基本Tips #19:Mine-triggering(地雷の起爆) 元記事 http //www.gamereplays.org/community/index.php?showtopic=150419 自軍のユニットが自分の設置した地雷のすぐ傍で銃撃戦をしている場合、少し遠ざかった方がいいでしょう。 敵の砲撃などで地雷が爆発する事があり、爆発範囲にいれば敵味方関係無くダメージを受けます。 特に連合M8で敷設した地雷は爆発ダメージが大きいです。 M8の地雷は即敷設が可能で、かつ2部隊を簡単に全滅させる事が出来る強力なものです。 M8で2部隊程の敵兵に接敵した場合、近寄って敵の目の前で地雷を敷設し、 車体2つ分くらい後ろに下がり、地雷を狙って起爆させるという技が使えます。 基本Tips #20:Anti-Tank Guns(対戦車砲) 元記事 http //www.gamereplays.org/community/index.php?showtopic=151513 対戦車砲は敵車両に対して最も基本且つ強力な対抗手段です。 生産に弾薬も燃料も必要無い上に、素晴らしい対車両攻撃力を持っています。 そこで対戦車砲が簡単に倒されないようにするにはどうしたらいいでしょうか? ●散開させて、上手くお互いをカバー出来るようにしましょう 距離を取る事で、砲撃によって一斉に叩く事が出来なくなります。 お互いが側面をカバー出来るように配置する事もポイントです。 1部隊が側面を取られても、他の部隊が対応出来るようにします。 枢軸であればカモフラージュを使う事で、相手に気づかれないように配置する事が出来ます。 ●敵車両の側面や背面を狙えるように配置を工夫してみましょう ●守備的に配置する場合、前面に砂嚢を積むとカバー効果が期待できます そして地雷も活用していきましょう。 対戦車砲を攻撃しに来た歩兵を制圧/釘付けにするだけでなく、側面を取りに来た車両にエンジンダメージを与える事も可能です。 ●歩兵、SniperやMortarなどから対戦車砲を守りましょう 対戦車砲は上手に配置すれば車両にやられる事はまずありません。 そこで相手は対戦車砲を歩兵で排除しようとしてくるはずです。 その為に歩兵対策をしておかなければなりません。 MG等が適任ですが、余り近くに配置しないように注意が必要です。 敵の砲撃により全滅させられないようにしましょう。 ●対戦車砲の体力バーは砲の耐久力では無く、砲手の体力を示しています 戦闘毎に工兵で対戦車砲を修理するようにしましょう。 修理する事で戦車の砲撃をより食い止める事が出来ます。 ●常に後方に配置するようにします 対戦車砲の射程距離はかなり長いです。このアドバンテージを活かしましょう。 常に自戦力の後方へ待機させるように心がけましょう。 基本Tips #21:Reload Times(リロード時間) 元記事 http //www.gamereplays.org/community/index.php?showtopic=151922 全てのユニットは移動している間は厳しいペナルティ(命中率の補正)を受けます。 発砲している間は静止するのも良い手段です。 しかし全ての車両は砲弾のリロード時間が存在します。 戦車で一般的に6~7秒くらいの時間です。 そこでこのリロード時間の間、より有利な場所へ移動させ、次の砲撃までに停止するようにします。 高価で重要な戦車を倒されにくくする方法です。 基本Tips #22:バンカーの守備 BunkerかMGNestにユニットを駐留させれば、あらゆる側面から建物への攻撃を防ぐ、素晴らしい効果を上げるでしょう。 これらの建物に駐留したユニットは、敵の攻撃に対して大きな耐性を得ることができます。 Sniperの狙撃にも幾度となく耐え、Grenadeの投擲すら大きな効果を上げることは出来ません。 Heavy Machine Gun Teamを駐留させれば、装甲部隊やMortarによる攻撃を除く、ほぼ全ての攻撃から安全だと保障されます。 しかも、Heavy Machine Gun Teamのコストのみで済むので、これは大変安価な作戦です。 資源を無駄にせずに済むことも第一に、これはBunkerを防衛している他の部隊を別のことに動かす余裕ができ、 必要ならば、Bunkerに補助的なアップグレードを施すことも出来るからです。 General Tip #23 - Dancing [10/29/2006] Oftentimes an MG squad will just barely beat your Riflemen/Volks into a building, soon to unleash hell on your troops. There is a counter, however, that enables your infantry to deal with the garrisoned MG. Simply dance or strafe the building from one side to the other, back and forth, continuously and never standing still. The main MG dude will constanly change windows to fire at your squad but, due to the deploy and redeploy times, actually never get a shot off. This way, your infantry squad will wear the MG squad down and kill it, or force it to ungarrison and retreat. With a little practice, you can thus reverse the entire situation of the classic Garrisoned MG ™. By Gnug315 General Tip #24 - Grenades vs Garrisoned Troops [10/30/2006] When using a grenade on a garrisoned mg42, try to get the mg42 firing out of one of the shorter sides of the house. This will cause the mg42 team inside to get closer together, and in most cases allow your grenade to kill the entire team. By Bentguru General Tip #25 - Backing Up [10/31/2006] A completely crucial part of tank warfare is backing up and away from danger while keeping your protective front armor, as well as your turret, facing your enemy. Tanks are quite maneuverable this way too, being able to make just as sharp turns backing up as when going forward. Do this by clicking a short length behind your tank, and if needed, shift-queue and entire escape route away from the battle, dodging obstacles et al and providing the speediest, safest retreat possible. The only vehicle that can t do this, in fact, is the Axis Motorcycle. By Gnug315 General Tip #26 - Know Your Enemy! [11/1/2006] Ever wish you could figure out who you are going up against when the match starts? Well, now you can! When you have a few seconds of free time in the beginning of a match, hit ctrl + shift + ~ on your keyboard and it will bring up the console. Search a bit and you will find your opponents name. At first it may be hard to spot amongst all the other words, but if he lags it will say it 4-5 times between some [ ]. Usually you can find it about halfway down the console page. Now you can know who you re fighting without waiting to see one of his units! By Lewclan General Tip #27 - Kiting [11/2/2006] Kiting is a term used when a vehicle seemingly attaches itself to an enemy squad by an invisible thread, usuing it s superior range to deal out damage whilst staying outside sticky-bomb or bazooka range. It requires studious micro, but can effectively completely counter any number of enemy squads. Simply keep your vehicle at the correct length, advancing and backing up as needed while unleashing a constant stream of salvos at your target. Your enemy will be forced to deal with your unit with other means. It is most commonly seen with Jeeps vs Pioneers, Pumas vs Riflemen w/ stickies, and Ostwinds vs Rangers, but also goes for the slower, more lumbersome tanks. By Gnug315 General Tip #28 - Killing Snipers [11/4/2006] If you spot a sniper, and don t have a jeep/bike then don t be afraid of charging it with e.g. riflemen. All units are able to detect the sniper, if you are close enough. Even a squad of pioneers are able to take out a sniper if you are lucky enough. So if you see a unsupported sniper starts shooting at your riflemen, press space (go to last event), trace the "smoke tail" and move your riflemen towards the direction of the "smoke tail". Then either use a Jeep/Motorcycle to detect the Sniper or charge it with your infantry. Goodbye, Sniper. By decon General Tip #29 - Hiding [11/6/2006] Hiding is an important part of warfare. As Sun Tzu states, when badly outnumbered, avoid the enemy entirely. In CoH, hiding can be used effectively against your enemy for example when you have decapped an opponent s point, but know he has dispatched troops to deal with you. Instead of trying to cap the point too, in the middle of enemy territory, run off with your units and hide in the corner. You will see that your enemy has defended the point when it starts blinking again as he captures it. Then, when he has done so, and most likely moved on, return your sneaky little squad to the point and decap it once again. Prime examples would include the two corner medium munition points on Semois, but almost all can be used like this in some way or the other. By Gnug315 General Tip #30 - One Way Door [11/7/2006] Barbed wire plays a crucial role in CoH, used to prevent enemy access to critical areas or thru chokepoints. There s a little detail you might not be aware of, tho because you can delete your own barbed wire at any time (simply select it and hit the delete key), it really acts as a one-way door. This is why you ll occasionally see good players wire off the same chokepoint; if the passage is already blocked to the second player, he might as well deny the first one this luxury. By Gnug315 General Tip #31 - Control Groups [11/9/2006] If you have decent amount of soldiers, group them together by select the units you want, then press "Ctrl" + a number. ex. Ctrl + 1 for Riflemen Ctrl + 2 for HMGs Ctrl + 3 for supportive infantry etc. This will prevent you from getting panic when your enemy surprise attack you, you can fight back instantly by these short cut numbers. Also, although this feature is comfy, don just select them and fight because they tend to stick together(BIG target for rockets/bombs), u have to micro them to take hard cover as many as possible. By total90 General Tip #32 - Garrisoned Snipers [11/10/2006] Garrisoned Snipers have a number of advantages over ungarrisoned Snipers. They fire more quickly, inflicting the same amount of damage, and are basically immune to infantry charges. However, a lone Sniper in a building is a sitting duck for an enemy Sniper -- they can be killed in one hit. Use this to your advantage if you see a Garrisoned enemy Sniper as well. It is bets to Garrison a Sniper with another unit, be it an Engineer squad or a Heavy Machine Gun team. The enemy Sniper trying to get yours will hit the other unit in the building and yours will be free to snipe his in one shot. By Moony General Tip #33 - Riflemen vs Garrisoned MG s [11/13/2006] 2 Riflemen Sqd 1 Garrisoned HMG (No Grenades) Try this on semois. If the axis player garrisons a HMG in a building, take one rifleman squad and place it in a nearby building to take their fire. Once he s shooting at the first squad, move the 2nd squad in. Unless you approach from the same vector as the 1st squad (please don t, that s just silly) they won t get suppressed. This 2nd squad can walk right up to the garrisoned building and just shoot the crap outta the MG squad. The MG squad cannot change targets, they will keep on shooting at the rifler squad in the building. It s rather silly, but I ve had it done to me and I ve done it to others. By th15 General Tip #34 - Destroying Hedgerows [11/14/2006] Mid-game and with no unit to push through hedgerows, break out the mines. Place a mine or two (usually needs two) real close to or even under a piece of heavy hedgerow, step back and lob a grenade or have a stug shot at the mines. A new front has just been opened for attack for your armor and infantry. For less than 100 munitions it s possible to bypass nasty chokepoints, flank them, and catch them with their pants down. By tnx3 General Tip #35 - Tactical Map [11/27/2006] Using tactical map to track enemy movement, when you bring up the tactical map, you see all the points thats not in LOS in gray, when you select a unit. and hover your mouse over the points, you will see 1 of 2 things 1. the pointer will change to the capping icon, the white circle with a tail like thing 2. no change Translations 1. the point if not being capped 2. enemy is capping that point Scan the map early on will let you get a grip where your enemy is heading to and how many units he might have The tactical map also tell you which points are OPed without having to scout it out. if you see a high fuel point giving +26, you know its OPed and its best to bring a flamer if you wish to destory it Normal - OPed High 16 - 26 Med 10 - 18 Low 5 - 8 By Sturmtruppen General Tip #36 - Attack Ground [01/01/2007] Why is there an attack ground option? Well there are many uses, to destroy unmanned AT guns to gain experience and deny the enemy a free AT gun. Do destroy any hidden units or mines that you think might be somewhere but just can t see it. Another good use is to use it to purposely miss when the Allies have War Machine on. That way if you can soak up some damage you can just shoot the ground until the power is over. Also if you see a Tiger/Tiger Ace that has no guns and damaged engine just ignore it. Remember they can only get 1 Tiger Ace and 2 Tigers. If you leave it alone that will buy you time before he destory/repair that on and get another Tiger. By Neubine General Tip #37 - Pioneers vs Engineers [01/15/2007] Pioneers HP 140 Build Time 14 Build Manpower 120 Engineers HP 165 Build Time 21 Build Manpower 140 Now, I’m an axis player and I hear many complaints from other Axis players about the inability of Pioneers to compete in a fight with Engineers, but the HP difference is only 25, so if at all possible put your Pioneers in cover (even light) and they will stand a good chance of coming out victorious. Another bonus of Pioneers is that they build so quickly you are able to have more out quicker, early game, compared to engineers, giving you a short (but sometimes) helpful advantage rushing to a certain strategic point, or barb wiring off an area, while your first Pioneer builds you base. (Or vice versa, take your starting Pioneer and rush and your built one will begin constructing your Wehrmacht Quarters before the allies built Engineer would start building a barracks) One last bonus of Pioneers is the free wire cutters at tier 2, which you can have within the first 5 min of a game while allied engineers seem to never take time to upgrade wire cutters for 50 munitions. The main advantage of the Engineer is that it has the obvious 3 man squad, allowing you to overcome the pitiful 2 man Pioneers if you charge. This also aids in the survivability of a squad against Axis snipers therefore allowing you to rush one and kill him if lucky as well as providing a greater chance of preserving the upgrades (be it flamethrower or mine sweeper) of that squad. by BroVVn General Tip #38 - Medic Bunkers [01/22/2007] In 1vs1 games you rarley see medic bunkers being used, this is problably because people tend to overlook their usefulness. As long as you get casaulties (not deaths) from fighting, the medics will run over there, picking up the injured carrying them back to the bunker. Once they ve gathered enough injured you will get a new squad. Axis spawns a grenadier unit. Allies spawns a riflemen unit. build the bunker close to the fighting, this way you will get your new unit deployed in the middle of the battle. If you also combine this with Axis defensive doctrine you can reinforce any casualties sustained if you move your squad close to the bunker, much like a forward barracks. Just build your bunker in cover to make sure it doesent take to many hits from the enemy player. you could also garrison a MG42 in the Axis bunker to make it an Mg nest that spawns troops. By Status Quo General Tip #39 - Evading with Sniper [02/05/2007] If you see an enemy engineer or pioneer squad rushing at your sniper-don t retreat! Instead shoot down one of the squad and then unactivate camouflage and run back. The sniper will be able to move back at either the same or greater speed than the enemy engineer squad, so you won t be taking much damage from their SMGs. Just be sure that you stay away from close combat with the enemy squad and you ll be fine. Once their squad gives up the chase-have your sniper shoot them in the back. This tip works best against Engineers and Pioneers because their weapons are only good at close range combat and they have a low number of squad members-don t try and use it against riflemen! By General Grant General Tip #40 - Tanks [02/12/2007] Knowing all the best things to do when using a tank can save many of them. Make the tank face threats. The front of every vehicle is the strongest spot. Sometimes shells will even bounce off the tiger s front armour. Sometimes facing all your tanks at once won t work because they are being attacked from more than one direction. In this case, command them individually or try moving them back a bit. This should reduce the amount of directions your tanks are being attacked from. If you re still being attacked from a lot of directions, make your tanks face the center vector of the attacks. You will force a lot of the attacks to hit the front of the vehicle instead of the side. Use the tanks reload times. I m pretty sure this has been said before but Every tank has a long reload time (Except for the Flakpanzer of course.) You can use this time to move your tank into a place where it can deal more damage to the enemy tanks. Make sure you tell your tank to face the enemy after you move it. If the enemy hasn t noticed, they won t turn their tanks toward you until you ve done a lot of damage. Halt your vehicle just before it shoots then move again. The next time they reload, try moving to the back of the tanks (If they haven t already turned.) Do not try to go to the back on the first move. DO NOT BUNCH UP. If you bunch up your tanks, they are extremely vulnerable to artillery and other explosive attacks. If you have to, move your tanks individually. It will save you a lot of fuel. Retreating. Your tanks are low on health and you want to get them out of the battle. DO NOT turn them around. Individually tell them to drive backwards away from the enemy. Much less damage will be done to them because the front of the tank is being hit. This can save a lot of tanks. It is also a good idea to get your mortar to fire smoke between the enemy and your tanks. Flanking. If you re having a tanks vs tanks battle with your enemy, and you re sending in another group of tanks, DO NOT send the tanks to the same place your other tanks are. Send them to the opposite side of the tanks. You will do much more damage to the enemy, and they won t be able to "Face You" because you have tanks on both sides. If there is any AT, tell the new group of tanks to kill it first. Get close. If you don t have any time of weapon to "launch" on the enemy tanks in battle, but they do, make sure you get your tanks as close as possible to the enemy without allowing them to get behind you. They are much less likely to attack you with artillery. If they do, the artillery will probably be farther away from you than usual, because they don t want to damage themselves at all. By EarthHunter General Tip #41 - Cover [02/18/2007] Cover has many uses and is not simply something you stick your troops into when in a battle. If you know you have lost a skirmish and all you have left to do is retreat your squad, you may want to manuever them a few steps left or right so that their direct line to your HQ contains some cover. Retreating units already have a huge armor bonus, and when this is added to medium and high cover, the unit is almost invincible. This can prevent you from losing your squads while retreating. Also, if your unit is on a road (like the one in the middle of Angoville) try to avoid retreating them on the road because they will have negative cover - meaning their retreat armor bonus is severly decreased. Also, if you are charging another unit with your own, I. E. riflemen charge unupgraded volks, or mp40 d volks charge riflemen, etc, instead of simply beelining towards them over open ground, check to see if there is a line of bushes or a wall that you can run through to get to them. This way you decrease the odds of you losing too many men before you reach an advantageous distance from your enemy. If you have to charge an enemy across a road, try to stay on the sides of the road, most of the roads have ditches which are yellow or medium cover. Finally, cover can really buff otherwise weak units and give them a decisive advantage over the enemy. I m not just talking about sticking regular infantry in there, stick some pioneers in a bush with your mg and riflemen that try to flank and then run up close may find the nasty suprise of 4 mp40 s firing back. Also, when you are defending a postion, you can have your troops in your selected cover, and then use your tanks to run over bushes, walls, fences, etc, so that when the enemy does attack, he ll realize that there is no cover except yours! All in all, remember that cover is a major part of Company of Heroes and that it has equal significance in the early, middle, and late game. Remember that nearly everything in this game is cover - for example, sneak your infantry behind their lines, kill the AT guns and then use the unmanned AT gun as green or high cover! By Lewclan. General Tip #42 - Roadways [03/12/2007] Roadways are a terrain feature that is present in all 3 of the 1v1 maps. When vehicles traverse the map on a road they get a very significant speed bonus that makes traveling to a destination much less difficult. Though not confirmed I would say the speed bonus is about 1.5x their normal speed, making it worthwhile if you can. One of the dangers of road travel however is that your opponent may place mines on the roads, rendering it dangerous to travel on. A Mine Flail or a squad of Engineers with Minesweepers can make this a little less dangerous, and cost your opponent munitions while giving you a slight peace of mind. For the Axis, there are a couple benefits as well, mainly for StuGs. StuGs not only move faster on a road but they also TURN faster, making them able to keep up and shoot at circling Shermans, which is very handy in a tank battle. The same mine danger is present however, and you should be especially weary if you see M8s running around the battlefield. Here are some tactical map shots with the roadways marked with a red line Angoville Semois Sturzdorf So as you can see they are placed in very tactically viable positions on the map that are good for quick escapes or a speed boost in combat for any vehicle from jeeps and bikes to Pershings and Tigers. By Kleatus The Road Bonus Not only does the road impart a speed bonus to vehicles that travel down it, but it also imparts a "Turning Speed Bonus" to a StuG parked on it. (or any other tracked vehicle) A StuG on a road can keep up with a tank attempting to circle-strafe it and thus defend itself. By JohnHardtack General Tip #43 - Rally points from buildings [03/19/2007] This is a helpful feature from all buildings, you have the ability to send units where ever you want them as soon as they are built. Select the building and simply right click where you want them to go. You can set rally point to other units on the field so that any new unit will automatically go to where that unit is. Helpful with engineers to repair units. You can also set rally points to buildings that can be garrisoned and your units will automatically enter them and set up to attack when they arrive. Just be careful with this option and make sure no enemies beat you into the building you want to occupy. This is important throughout the game, always use this to start your troops moving in an appropriate direction instead of standing around in your base! Further, you can set the rally point from your HQ unto your first building and the first Engy/Pio who pops out will automatically start to help build! By hillhome General Tip #44 - Using Shift+Click [03/26/2007] Shift + Click is a method you can use to queue up orders for your units. This can be used in many different areas of the game and I list some ways of what this can be used for below. So say you are on Beaux Lowlands in the Allied normal starting position. You want your 2nd engineer in this game to go cap the strat point left of your base, the munitions in the lower left corner, and the fuel point right above that. Instead of trying to time your clicks so that you get back to the unit right when a point is capped do the following Click on your unit. Press down the shift key and hold it in. Click on the 3 points you want to capture with that unit (you can even do it from the tactical map!). Once all 3 are clicked let of the shift key and click off of that unit. It will then go about its ordered task to cap those points for you! This can also be used with the tactical map for even faster early capping order speed. Further, you can use the same thing, holding down shift and issuing orders to lay multiple different sections of wire, sandbags, mines or a mix of all three things! What will end up happening is that once you lay down a section you will need to right click, this will instantly bring up a new section attached to the one you just ordered to go in. Simply right click again to get out of that and move your mouse to what you want to wire/bag/mine next. Click or use the hotkeys for whichever wire/bag/mines you were working on building and put the next section where you want it to go. As soon as your unit is done with the first sections of wire/bag/mines it will move automatically to the next one until it dies or runs out of queued orders. Plus you can use this with your units to deliberately tell them where to go, say for instance you want to down by the river on the upper left side of Beaux to flank your enemy. This method allows you to do that instead of having those units charge towards the shallows like the normal pathing would tell them to do. Last, but not least, you can use this to help your tanks reverse and hide behind buildings. It is much easier to reverse and curve your reverse by using Shift + Click. Now go practice and learn new ways to use this method soldier! By hillhome To queue wire or mines, you have to know a little trick. Here is the key sequence to wire 2 seperate sections Say your first pio is busy building Wehrmacht Quarters in the South on Semois, and you want him to go wire the northwest pin, stopping your opponent from getting at that House and that hi-Ammo. While building, do this 1.Select the Pios 2.Click or use hotkey to "build defensive" 3.Click or use hotkey on "build wire" 4.HOLD SHIFT and left-click the hedges to start the wire 5.KEEP HOLDING SHIFT left-click to finish the wire 6.RIGHT-CLICK anywhere (this is the trick, this stops you from continuing to wire) 6a. insert It s a good idea to now HOLD SHIFT RIGHT CLICK them towards the next destination (this prevents them from funny pathing bugs and you can make sure you wind up on the correct side of the wire after you build it) 7.Click or use hotkey to "build defensive" again 8.Click "build wire" 9.HOLD DOWN SHIFT left-click to start the next wire location by the road 10.KEEP HOLDING SHIFT drag the wire into the little lake, left-click to finish the wire 11.RIGHT-CLICK to break the wiring pattern 12.Now HOLD SHIFT right-click to go cap the +16 ammo that you just secured! If you want to wire a box, you can just keep shift-left-clicking and draw the four points of the box. When you want to stop wiring and go on to something else, just right click anywhere. Same is true for mines. Building single mines in different locations is far more effective than stringing a line of mines (which all blow up at once and usually only do 1 mine s worth of damage). 1.Select the Pios 2.Click or use hotkey to "build defensive" 3.Click "build mines" 4.Left-click a location to start 5.Spin them to the perfect spot and left-click again to finish the mines 6.HOLD SHIFT right-click them to move to the next mining spot 7.Click "build defensive" 8.Click "build mines" 9.HOLD SHIFT left-click to place the mine 10.KEEP HOLDING SHIFT left-click again to finish the mine 11.Right-click anywhere to stop stringing mines 12.HOLD SHIFT right-click your Pios to some cover near by (never hang around your mines or you may get blown up by them) note whether or not you hold shift while clicking "build defensive" and "build mines" is unimportant By AmiPolizeiFunk General Tip #45 - Tabbing Units [04/02/2007] General Tip #46 - Camo-Counters [04/09/2007] General Tip #47 - Countering Barbed Wire [04/16/2007] General Tip #48 - Control Sectors [04/30/07] General Tip #49 - Unit/Resource Management [05/06/07] General Tip #50 - Selective Exiting [05/14/07] General Tip #51 - MG/Sniper Counter [28/05/07] General Tip #52 - The Dead Have Eyes [04/06/2007] General Tip #53 - Targetting in Large Scale Engagements [6/10/07] General Tip #54 - Overextending [7/02/07] General Tip #55 - Anti-spam [7/16/07] General Tip #56 - Early Game Tips [7/30/07] General Tip #57 - Advanced Mine Tactics [12/8/07] General Tip #58 - Pursuing and retreating [30/8/07]
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Content Delivery Network Industry Insight The fast uptake and development of a content delivery network are progressively becoming a crucial component of any enterprise. Market Research Future predicts the potentiality of the global Content Delivery Network Industry 2020. It can achieve a high valuation by the year 2023. Such a high valuation will garner at a growth rate of 26.5% in the forecast years (2018 to 2024). The market expansion can be accredited to the escalating volumes of content being exchanged over the internet in line with the continued rapid network rollouts. Effective so lutions would be needed to ensure uninterrupted content delivery over a high-speed data network, mainly to cater to the growing demand for Video-on-Demand (VOD) and Over the Top (OTT) services. In fact, plummeting data costs coupled with rising affordability and accessibility of broadband and mobile network access are some of the other foremost factors anticipated to motivate the demand for content delivery network solutions. Request a Free Sample @ https //www.marketresearchfuture.com/reports/content-delivery-network-market-2796 Top Market Contenders The top market players of global CDN market are listed as Limelight Networks Inc. (US), Akamai Technologies Inc. (US), Tata Communications Ltd (India), CenturyLink (US), StackPath, LLC (US), Fastly Inc (US), Verizon Communications Inc. (US), CDNetworks Co. Ltd (South Korea), AT T Inc. (US), Amazon.com Inc. (US) and Comcast Corporation (US). Market Analysis MRFR also spotlights on the fact that the e-commerce industry is sprouting continuously in line with shifting consumer behavior. As such, CDN solutions are employed to ensure that consumers have access to all the content necessary to make an informed buying decision. CDN solutions are also employed aggressively to optimize delivery as consumers shift from conventional television to video content delivery. At the same time, the performance of digital solutions based on an IoT network across various industries is also prompting content delivery network providers to introduce customized industry-specific content delivery network solutions. The mounting adoption of advanced technologies, such as artificial intelligence (AI) and augmented reality (AR), are also opening opportunities to launch innovative content delivery network solutions in the future. All these factors are ready to contribute to the global content delivery network market in the forecast period. Furthermore, in countries, such as India and China, the fame of online gaming and the preference for digital marketing is escalating. The advances in technology, coupled with the rollout of smart cities and 4G network rollouts, are also encouraging opportunities to come into the market. On this line, large access providers and platform companies are pursuing integration initiatives to withstand the intense competition globally. As such, companies offering technology solutions are moving into content market space. The mounting population, coupled with the advent of new network technologies, is also motivating content consumption and content delivery network. The digitization of the media entertainment industry is particularly driving market growth to a great extent. Segmentation of Market Content Delivery Solutions The global content delivery solutions market has further been studied among segmentation, including segments of type, solutions, application, service providers, and vertical. By the segment of type, the market has included a standard content delivery network, video content delivery network. By the segment of solutions, the market has included media delivery, web performance optimization, and cloud security. By the segment of the application, the market has included network optimization, OTT streaming, analytics performance monitoring, and website API management. By the segment of service providers, the market has included traditional content delivery networks, Telco content delivery networks,, and cloud services providers. By the segment of vertical, the market has included retail e-commerce, media entertainment, BFSI, gaming, IT telecommunication, education, and others. Regional Outlook North America, Europe, Asia-Pacific, and the rest of the world are the key regions mentioned in the global content delivery solutions market’s regional analysis. Among these regions, the North American region is anticipated to lead the content delivery network market during the study period. The early adoption of IoT technology and smart devices such as Smartphones and smart TV in North America are some of the factors motivating the growth of the regional market. Furthermore, the incidence of technology leaders such as Verizon Digital Media, Amazon Web Services, Akamai Technologies Inc., and CenturyLink is likely to contribute to the growth of the content delivery network market in the region. The US, after Canada, leads the market in North America. The market in Asia-Pacific is also anticipated to occupy a significant share where China is likely to lead the market. Europe trails North America in the global content delivery network market. The Asia Pacific is forecasted to outpace all other regions by growth owing to enhancements in technology in emerging countries of the region. Table of Content 1 Executive Summary 1.1 Market Attractiveness Analysis 17 1.1.1 Global Content Delivery Network Market, By Type 17 1.1.2 Global Content Delivery Network Market, By Solutions 18 1.1.3 Global Content Delivery Network Market, By Application 19 1.1.4 Global Content Delivery Network Market, By Service Providers 20 1.1.5 Global Content Delivery Network Market, By Vertical 21 1.2 Global Content Delivery Network Market, By Region 22 Continued…. List of Tables Table 1 List of Assumptions 29 Table 2 Regional Data Transfer Out to Internet (Per Gb) 39 Table 3 Request Pricing for All Http Methods (Per 10,000) 40 Table 4 Global Content Delivery Network Market, By Type, 2020–2027 (Usd Million) 45 Table 5 Global Content Delivery Network Market, By Video Content Delivery Network, 2020–2027 (Usd Million) 47 Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/content-delivery-network-market-2796 List of Figures Figure 1 Market Synopsis 16 Figure 2 Market Attractiveness Analysis Global Content Delivery Network Market 17 Figure 3 Global Content Delivery Network Market Analysis By Type, 2020 (%) 17 Figure 4 Global Content Delivery Network Market Analysis By Solutions, 2020 (%) 18 Figure 5 Global Content Delivery Network Market Analysis By Application, 2020 (%) 19 Continued…. Trending Research Report** Internet of Things Market https //writeonwall.com/internet-of-things-market-growth-key-players-with-product-particulars-applications-future-trend-business-growth-market-size-key-players-update-business-statistics-and-forecast-till-2030/ B2B Telecommunication Market https //ict268262635.wordpress.com/2022/04/06/b2b-telecommunication-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ Passport Reader Market https //ict268262635.wordpress.com/2022/04/06/passport-reader-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ Antivirus Software Market https //ict268262635.wordpress.com/2022/04/06/geospatial-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ Cash Management System Market https //www.scutify.com/articles/2022-04-18-cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to-high-emerging-demands About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future Office No. 528, Amanora Chambers Magarpatta Road, Hadapsar, Pune – 411028 Maharashtra, India 1 646 845 9312 Email sales@marketresearchfuture.com Video By View https //lumen5.com/user/ubellapranali/untitled-video-iqt72/
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?xml version="1.0" encoding="windows-1251" ? string_table string id="red_artefact_huntesr_capture_smart_name" text Besch・ze die Stalker auf dem Weg durch die anormale Zone /text /string string id="red_artefact_huntesr_capture_smart_text" text Besch・ze die Stalker auf dem Weg durch die anormale Zone. /text /string string id="red_artefact_huntesr_defend_smart_name" text Verteidige die Stalker in der anormalen Zone /text /string string id="red_artefact_huntesr_defend_smart_text" text Verteidige die Stalker in der anormalen Zone. /text /string string id="red_bridge_cover_allyes_attack_name" text Gib den Sdnern Deckung /text /string string id="red_bridge_cover_allyes_attack_text" text Die Sdner greifen Banditen auf anderen Seite des Flusses an. Gib ihnen Deckungsfeuer und hilf ihnen dabei, in Position zu gelangen. /text /string string id="red_bridge_cover_allyes_name" text Schalte die Banditen aus /text /string string id="red_bridge_cover_allyes_text" text Es sind zu viele Banditen - sie halten die Sdner davon ab, die Br・ke herunterzulassen. Te so viele Banditen wie mlich. /text /string string id="red_bridge_cover_bridge_name" text Gib den Sdnern bei der Br・kensteuerung Deckung /text /string string id="red_bridge_cover_bridge_text" text Ein Sdner hat eine Position in der n臧e der Br・kensteuerung gesichert. Gib den Sdnern Deckungsfeuer, w臧rend sie die Br・ke herunterlassen. /text /string string id="red_bridge_go_to_positon_name" text Gehe in Feuerstellung /text /string string id="red_bridge_go_to_positon_text" text Gehe im ersten Stock des Torhauses in Feuerstellung. Dies ist der beste Aussichtspunkt, um auf die Banditen zu schie゚en. /text /string string id="red_bridge_kill_sniper_name" text Schalte die Scharfsch・zen auf dem H・el aus /text /string string id="red_bridge_kill_sniper_text" text Die Scharfsch・zen nehmen die Br・kensteuerung unter Feuer - solange sie leben, haben die Sdner keine Chance, die Br・ke herunterzulassen. Schalte die Scharfsch・zen auf dem H・el aus. /text /string string id="red_bridge_talk_with_comander_name" text Rede mit Lebedew /text /string string id="red_bridge_talk_with_comander_text" text Die Br・ke wurde heruntergelassen und die Stra゚e nach Limansk ist frei. Rede mit Lebedew. /text /string string id="red_bridge_wait_for_allyes_name" text Warte, bist die Einheit der Stalker eintrifft /text /string string id="red_bridge_wait_for_allyes_text" text Warte, bist die Einheit der Stalker eintrifft. /text /string string id="red_bring_compass_name" text Bringe dem Fster den Kompass /text /string string id="red_bring_compass_text" text Dank des Kompasses ist es dem Fster vor ein paar Tagen gelungen, aus einer Raumblase zu entkommen. Das Artefakt d・fte den Sdnern dabei helfen, aus ihrer Blase zu gelangen. Bringe dem Fster den Kompass. /text /string string id="red_find_compass_name" text Finde das Kompass-Artefakt /text /string string id="red_find_compass_text" text Der Fster hat in einer Raumanomalie ein einzigartiges Artefakt entdeckt. Die Anomalie 臧nelte sehr der Blase, in der die Sdner in der N臧e der Milit舐lager stecken. Auf dem R・kweg wurde der Fster von Banditen ausgeraubt und das Artefakt wurde gestohlen. Finde den Kompass. /text /string string id="red_find_forester_name" text Rede mit dem Fster /text /string string id="red_find_forester_text" text Der Fster lebt in einer verlassenen H・te. Er kann dir helfen, einen Weg nach Limansk zu finden. Rede mit dem Fster. /text /string string id="red_find_teleport_name" text Finde die Raumanomalie /text /string string id="red_find_teleport_text" text Das PDA der vermissten Gruppe enthielt einige Hinweise zu einem Pfad durch den Roten Wald. Darin befindet sich eine Raumanomalie, die zu der alten H・te am Waldrand f・rt. Dort lebt der Fster. Finde die Raumanomalie. /text /string string id="red_forest_stalker_bring_map_name" text ワberbringe den PDA mit der Karte des Roten Waldes /text /string string id="red_forest_stalker_bring_map_text" text ワberbringe den PDA mit der Karte des Roten Waldes. /text /string string id="red_go_to_signal_sos_name" text Antworte auf das SOS-Signal /text /string string id="red_go_to_signal_sos_text" text Der Pfad zum Fster durch den Roten Wald ist unbekannt. Es gibt ein Notrufsignal aus dem Roten Wald. Antworte auf das Signal. /text /string string id="red_help_with_bridge_name" text Hilf Clear Sky dabei, die Br・ke einzunehmen /text /string string id="red_help_with_bridge_text" text Eine Sdnereinheit n臧ert sich der Br・ke nach Limansk. Sie erscheinen auf der Seite des Flusses, auf der sich die Banditen aufhalten. Es wird also an der Br・ke in K・ze ziemlich hoch hergehen. Hilf Clear Sky dabei, die Br・ke nach Limansk herunterzulassen. /text /string string id="red_pursuit_destroy_ambush_name" text Schlage den Hinterhalt zur・k /text /string string id="red_pursuit_destroy_ambush_text" text Strelok wird von einer Gruppe Stalker gedeckt. Schlage den Hinterhalt zur・k. /text /string string id="red_pursuit_strelok_name" text Halte Strelok auf /text /string string id="red_pursuit_strelok_text" text Strelok ist im Tunnel verschwunden. Folge ihm und vergewissere dich, dass er nicht ins Zentrum der Zone vordringt. /text /string string id="red_pursuit_talk_csky_name" text Halte Strelok auf /text /string string id="red_pursuit_talk_csky_text" text Strelok ist ganz in der N臧e, etwa 100 Meter entfernt. Schnapp ihn dir. /text /string string id="red_stalker_reinforced_name" text Nimm die alte Mine ein /text /string string id="red_stalker_reinforced_text" text Nimm die alte Mine ein. Hier herrscht hohe anormale Aktivit舩 und es gibt hier eine Menge seltener Artefakte. /text /string string id="red_go_to_military_base_name" text Gehe zur Milit舐basis /text /string string id="red_go_to_military_base_text" text Die Milit舐basis hat einen leistungsf臧igen Sender, mit dem wir ein Signal an die Gruppe senden knen, die bei Limansk in einer Raumblase eingeschlossen ist. Gehe zur Milit舐basis. /text /string string id="red_find_enter_to_anomal_place_name" text Finde einen Weg in die anormale Zone /text /string string id="red_find_enter_to_anomal_place_text" text Der PDA der vermissten Gruppe enthielt einige Hinweise zu einem Pfad durch den Roten Wald. Darin befindet sich eine Raumanomalie, die zu der alten H・te am Rande des Waldes f・rt. Dort lebt der Fster. Finde die Raumanomalie. /text /string string id="red_find_signals_on_military_name" text Empfange die Funknachricht /text /string string id="red_find_signals_on_military_text" text Der Fster empf舅gt unverst舅dliche Funkfetzen einer unbekannten Gruppe, die in der N臧e von Limansk in einer seltsamen Anomalie gefangen ist. Die Gruppe knte einen alternativen Weg nach Limansk kennen. Gehe zu den Milit舐lagern und finde einen geeigneten Ort f・ einen besseren Empfang. /text /string string id="red_take_red_forest_map_pda_name" text Nimm den PDA /text /string string id="red_take_red_forest_map_pda_text" text Der PDA eines toten Stalkers ist immer noch aktiv. Er knte wertvolle Informationen ・er den Roten Wald enthalten. Nimm den PDA. /text /string string id="red_recover_item_1_name" text Besorgen den PDA mit einer Karte des Roten Waldes /text /string string id="red_recover_item_1_text" text Hey, Sdner, wir knten deine Hilfe gebrauchen. Wir brauchen eine genaue Karte des Roten Waldes. Ich habe mitbekommen, dass schon mehrere Gruppen von Stalkern ihr Gl・k im Roten Wald versucht h舩ten, aber die meisten von ihnen seien verschwunden. Finde ihre Aufzeichnungen und bringe sie zu mir. /text /string string id="red_recover_item_2_name" text Besorge das Panzermaschinengewehr /text /string string id="red_recover_item_2_text" text Ich h舩te eine Auftrag f・ dich Der Fster hat mir verraten, dass sich tief im Wald ein alter sowjetischer Panzer befindet. Niemand hat eine Ahnung, wie er dahin gelangen konnte, aber es hei゚t, dass das Ding nach einer starken Emission aufgetaucht w舐e. Das Tolle ist Der Panzer ist noch intakt. Man kann ihn wohl nicht fahren, aber das Maschinengewehr, das noch vorhanden ist, kann man sicher abmontieren. Wenn du mir das MG bringst, werde ich dich gut daf・ bezahlen. /text /string string id="red_recover_item_3_name" text Bringe das experimentelle Ger舩 zur・k /text /string string id="red_recover_item_3_text" text Es gibt da etwas, was du f・ mich tun kannst. Wir haben mal einen Prototypen f・ die Wissenschaftler getestet - ein kleines Ger舩 zum Messen der St舐ke von Anomalien. Das Ding ist heute nicht mehr wirklich von Nutzen... sie haben ganze zwei Tage alleine daf・ gebraucht, uns zu zeigen, wie man damit umgeht. Auf jeden Fall waren wir in der alten Mine und haben Daten gesammelt, als etwas passierte... irgendetwas griff uns an... alle mlichen Dinge flogen auf einmal auf uns zu. Leider habe ich den Vorfall als Einziger ・erlebt. Das Ger舩 blieb dort unten zur・k, bei den anderen Jungs. Das... Ding, das uns angegriffen hat, d・fte ebenfalls noch dort sein, deswegen wird es nicht einfach werden, das Ger舩 in die H舅de zu bekommen. Aber wenn du es dennoch schaffen solltest, werde ich dich gut daf・ bezahlen. /text /string /string_table
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CDR 001 - THE ORIGINAL RECORDINGS OF SONGS COVERED BY THE ROLLING STONES IN MARQUEE JAZZ CLUB, JULY 12.1962 1 Kansas City (Wilbert Harrison) 2 Baby What s Wrong (Jimmy Reed) 3 Confenssin The Blues (Little Walter) 4 Brights Lights, Big City (Jimmy Reed) 5 Dust My Dream (Elmore James) 6 Down The Road Apiece (Chuck Berry) 7 I m A Love You (Jimmy Reed) 8 Bad Boy (Eddie Taylor) 9 I Ain t Got You (Jimmy Reed) 10 Hush-Hush (Jimmy Reed) 11 Ride Em On Down (Eddie Taylor) 12 Back In The U.S.A. (Chuck Berry) 13 Kind Of Lonesome (Jimmy Reed) 14 Blues Before Sunrise (Elmore James) 15 Big Boss Man (Jimmy Reed) 16 Don t Stay Out All Night (Billy Boy Arnold) 17 Tell Me That You Love Me (Jimmy Reed) 18 Happy Home (Elmore James) ■KANSAS CITY / WILBERT HARRISON (Relic Records 7035) includes track 1 mono ■JIMMY REED AT CARNEGIE HALL (Collectables COL-CD-7210) includes tracks 2, 4, 7,10,13,15,17 stereo ■ROLLING STONE CLASSICS (Blues Interactions PCD-2005) includes track 3 mono ■"LET S CUT IT" THE VERY BEST OF ELMORE JAMES (Flair Records 86257) includes tracks 5,14,18 mono ■THE CHESS BOX / CHUCK BERRY (MCA Records CHD3-80,001) includes tracks 6,12 mono ■BIG TOWN PLAYBOY / EDDIE TAYLOR (P-Vine Records PCD-5259) includes tracks 8,11 mono ■ROCKIN WITH REED / JIMMY REED (P-Vine Records PCD-5264) includes track 9 mono ■ORIGINAL VJ RECORDINGS, 1955-1957 / BILLY BOY ARNOLD (P-Vine Records PCD-5265) includes track 16 mono Other; Up All Night () CDR 002 - THE ORIGINAL RECORDINGS OF SONGS COVERED BY THE ROLLING STONES IN CRAWDADDY CLUB, MARCH 3.1963 1 Route 66 (Chuck Berry) 2 Little Egypt (The Coasters) 3 Poison Ivy (The Coasters) 4 I Know (Bo Diddley) 5 I m A King Bee (Slim Harpo) 6 You Better Move On (Arthur Alexander) 7 Nedine (Chuck Berry) 8 You Can t Judge A Book By It s Cover (Bo Diddley) 9 Honest I Do (Jimmy Reed) 10 I Want To Be Loved (Muddy Waters) 11 Beautiful Delilah (Chuck Berry) 12 Memphis, Tennessee (Chuck Berry) 13 Walking The Dog (Rufus Thomas) 14 Pretty Thing (Bo Diddley) 15 Craw-Dad (Bo Diddley) ■THE ROOTS OF STONE (Universal UICY-4103) includes tracks 1, 4 mono ■50 COASTIN CLASSICS / THE COASTERS (Rhino R2 71090) includes tracks 2-3 mono ■THE BEST OF SLIM HARPO (ACE CDCHM 410) includes track 5 mono ■STONE ROCK BLUES (MCA MVCM-22037) includes track 6 mono ■THE CHESS BOX / CHUCK BERRY (MCA Records CHD3-80,001) includes tracks 7,11-12 mono ■THE CHESS BOX / BO DIDDLEY (MCA Records CHD2-19502) includes tracks 8,14 mono ■JIMMY REED AT CARNEGIE HALL (Collectables COL-CD-7210) includes track 9 mono ■ROLLING STONE CLASSICS (Blues Interactions PCD-2005) includes track 10 mono ■THE ROOTS TRACKS OF STONE (Jimco Records JICK-89247) includes track 13 mono ■BO DIDDLEY IN THE SPOTLIGHT (BGO Records BGOCD424) includes track 15 stereo CDR 003 - THE ORIGINAL RECORDINGS OF SONGS COVERED BY THE ROLLING STONES IN LIVE 1962 - 1963 1 Dimples (John Lee Hooker) 2 I Got My Brand On You (Muddy Waters) 3 The Moon Is Rising (Jimmy Reed) 4 Crawling King Snake (John Lee Hooker) 5 Bo Diddley (Bo Diddley) 6 Tiger In Your Tank (Muddy Waters) 7 Nursery Rhyme (Bo Diddley) 8 The Sun Is Shining (Jimmy Reed) 9 I m A Hog For You (The Coasters) 10 Johnny B. Goode (Chuck Berry) 11 Smokestack Lightnin (Howlin Wolf) 12 My Babe (Little Walter) 13 Hoochie Coochie Man (Muddy Waters) 14 No Money Down (Chuck Berry) 15 Jaguar Thunderbird (Chuck Berry) 16 Boogie In The Dark (Jimmy Reed) 17 Going To New York (Jimmy Reed) 18 You Got Me Dizzy (Jimmy Reed) 19 Bring It To Jerome (Bo Diddley) 20 Hey Bo Diddley (Bo Diddley) 21 Childhood Sweetheart (Chuck Berry) 22 Buzz Me Babe (Slim Harpo) 23 Honey Bee (Muddy Waters) 24 Brown Eyed Handsome Man (Chuck Berry) 25 I Can Tell (Bo Diddley) ■I M JOHN LEE HOOKER (P-Vine Records PCD-5263) includes tracks 1, 4 mono ■MUDDY WATERS AT NEWPORT 1960 (Universal 088 112 515) includes tracks 2, 6 mono ■ROCKIN WITH REED (P-Vine Records PCD-5264) includes track 3 mono ■THE CHESS BOX / BO DIDDLEY (MCA Records CHD2-19502) includes tracks 5,20,25 mono ■BO DIDDLEY RIDES AGAIN (BGO Records BGOCD424) includes track 7 stereo, track 19 mono ■JIMMY REED AT CARNEGIE HALL (Collectables COL-CD-7210) includes tracks 8,16-18 mono ■50 COASTIN CLASSICS / THE COASTERS (Rhino R2 71090) includes track 9 mono ■THE CHESS BOX / CHUCK BERRY (MCA Records CHD3-80,001) includes tracks 10,14-15,21,24 mono ■MOANIN IN THE MOONLIGHT / HOWLIN WOLF (Universal UICY-3206) includes track 11 mono ■THE BEST OF LITTLE WALTER (MCA MVCM-22008) includes track 12 mono ■THE BEST OF MUDDY WATERS (Universal UICY-93199) includes tracks 13,23 mono ■THE BEST OF SLIM HARPO (ACE CDCHM 410) includes track 22 mono Other; Peepin Hidin (Jimmy Reed), Let Me Love You Baby (Buddy Guy) MORE CDR 004 - THE ORIGINAL RECORDINGS OF SONGS COVERED BY THE ROLLING STONES IN LIVE 1964 - 1989 1 Memphis, Tennessee (Chuck Berry) 2 Roll Over Beethoven (Chuck Berry) 3 Cops Robbers (Bo Diddley) 4 Beautiful Delilah (Chuck Berry) 5 Ain t That Lovin You Baby (Jimmy Reed) 6 I m Moving On (Ray Charles) 7 I Know (Bo Diddley) 8 Craw-Dad (Bo Diddley) 9 I m Yours I m Hers (Johnny Winter) 10 Little Queenie (Chuck Berry) 11 Let It Rock (Chuck Berry) 12 Don t You Lie To Me (Chuck Berry) 13 Mannish Boy (Muddy Waters) 14 Crackin Up (Bo Diddley) 15 Worried Life Blues (Big Maceo) 16 Sweet Little Sixteen (Chuck Berry) 17 Hound Dog (Elvis Presley) 18 Twenty Flight Rock (Eddie Cochran) 19 Going To A Go Go (Smokey Robinson The Miracles) 20 Chantilly Lace (Big Bopper) 21 Boogie Chillun (John Lee Hooker) ■THE CHESS BOX / CHUCK BERRY (MCA Records CHD3-80,001) includes tracks 1-2, 4,11,16 mono ■BO DIDDLEY RIDES AGAIN (BGO Records BGOCD424) includes track 3 mono ■JIMMY REED AT CARNEGIE HALL (Collectables COL-CD-7210) includes track 5 mono ■GEORGIA ON MY MIND / RAY CHARLES (Joker CD 39074) includes track 6 mono ■THE ROOTS OF STONE (Universal UICY-4103) includes tracks 7,10,13,19 mono ■BO DIDDLEY IN THE SPOTLIGHT (BGO Records BGOCD424) includes track 8 stereo ■JOHNNY WINTER (Columbia CK 9826) includes track 9 stereo ■THE ROOTS TRACKS OF STONE (Jimco Records JICK-89247) includes track 12 mono ■THE CHESS BOX / BO DIDDLEY (MCA Records CHD2-19502) includes track 14 mono ■ELVIS GOLDEN RECORDS, VOL. 1 / ELVIS PRESLEY (RCA PCA1-5196) includes track 17 mono ■ROLLING STONE CLASSICS 2 (Blues Interactions PCD-2537) includes tracks 15,18 mono ■THE BEST OF BIG BOPPER (Spectrum 554 906-2) includes track 20 mono ■I M JOHN LEE HOOKER (P-Vine Records PCD-5263) includes track 21 mono CDR 005 - THE ORIGINAL RECORDINGS OF SONGS COVERED BY THE ROLLING STONES IN LIVE 1994 - 2007 1 I Can t Get Next To You (The Temptations) 2 Who Do You Love (Bo Diddley) 3 Still A Fool (Muddy Waters) 4 Down In The Bottom (Howlin Wolf) 5 Like A Rolling Stone (Bob Dylan) 6 Shame Shame Shame (Jimmy Reed) 7 I Can t Turn You Loose (Otis Redding) 8 Love Train (The O Jays) 9 Rock Me Baby (B.B. King) 10 Get Up, Stand Up (Bob Marley The Wailers) 11 Mr. Pitiful (Otis Redding) ■17 GREATEST HITS / THE TEMPTATIONS (Motown R32M-1023) includes track 1 stereo ■THE CHESS BOX / BO DIDDLEY (MCA Records CHD2-19502) includes track 2 mono ■THE BEST OF MUDDY WATERS (Universal UICY-93199) includes track 3 mono ■HOWLIN WOLF (Universal UICY-3206) includes track 4 mono ■HIGHWAY 61 REVISITED / BOB DYLAN (Sony Records SRCS 9074) includes track 5 stereo ■GREATEST HITS / JIMMY REED (Classic Blues CDCD 1040) includes track 6 mono ■THE VERY BEST OF OTIS REDDING (Rhino R2 71147) includes tracks 7,11 mono ■THE O JAYS SUPER HITS (Epic Associated/Legacy ZK 65445) includes track 8 stereo ■ROCK ME BABY / B.B. KING (P-Vine Records PCD-3879) includes track 9 mono ■BURNIN / BOB MARLEY THE WAILERS (Tuff Cong UICY-9542) includes track 10 stereo Other; (You Gotta To Walk ) Don t Look Back (The Temptations), The Nearness Of You (Hoagy Carmichael), Night Time Is The Right Time (Ray Charles),Bob Wills Is Still The King (Waylon Jennings), Learning The Game (Buddy Holly), Champagne Reefer (Muddy Waters), I ll Go Crazy (James Brown) NEXT
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Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? If You Were a Pilot (If You Were a) Benchmark Books? Virginia Schomp? BenchmarkBooks? VirginiaSchomp? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-People&Places-Careers? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Aviation-Nonfiction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Clocks (Great Inventions) Benchmark Books? James Lincoln Collier? BenchmarkBooks? JamesLincolnCollier? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Pupniks The Story of Two Space Dogs Marshall Cavendish Corp/Ccb? S. Ruth Lubka? MarshallCavendishCorp/Ccb? S.RuthLubka? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Animals-Dogs-Nonfiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Astronomy-Aeronautics&Astronautics? The Internet and Health Communication Experiences and Expectations Sage Pubns? Ronald E. Rice? James Everett Katz? SagePubns? RonaldE.Rice? JamesEverettKatz? ジャンル別? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Internet? Subjects-Engineering-General? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-General? Subjects-Nonfiction-Education-Reference-Words&Language-Communication? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Words&Language-Communication? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-General? Information Technology and Organizational Transformation History, Rhetoric, and Practice (Organization Science (Thousand Oaks, Calif.).) Sage Pubns? Joanne Yates? John Van Maanen? SagePubns? JoanneYates? JohnVanMaanen? ジャンル別? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Computers&Internet-ComputerScience? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Managing Technological Change A Strategic Partnership Approach Sage Pubns? Carol Joyce Haddad? SagePubns? CarolJoyceHaddad? ジャンル別? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Automation? Subjects-Health,Mind&Body-Psychology&Counseling? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Subjects-Science-General Technocities Sage Pubns? John Downey? Jim McGuigan? SagePubns? JohnDowney? JimMcGuigan? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Engineering-General? Subjects-Nonfiction-SocialSciences-Sociology-Urban? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Nonfiction-Education-Reference-Words&Language-Communication? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Words&Language-Communication? Subjects-Science-General Advances in Global High-Technology Management Public Policy and the Management of Innovation in Technology-Based Entrepreneurship (Advances in Global High-Technology Management) Jai Pr Luis R. Gomez-Mejia? Michael W. Lawless? JaiPr LuisR.Gomez-Mejia? MichaelW.Lawless? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-Technology-General&Reference Wheels (Fit-a-Shape) Running Pr? Jeremy Gower? RunningPr? JeremyGower? ジャンル別? Substores-UnknownASINs-19? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Real Steel An Illustrated History of the World's Greatest Trains Courage Books? Colin Dennis Garratt? CourageBooks? ColinDennisGarratt? ジャンル別? Subjects-Arts&Photography-Photography-Travel-General? Subjects-Engineering-General? Subjects-History-World-Transportation-Railroads? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Railroads-Pictorial? Subjects-Professional&Technical-Engineering-General Standard for Medical and Dental Equipment Ui 544 Comm 2000? Laboratories Inc. Underwriters? Comm2000? LaboratoriesInc.Underwriters? ジャンル別? Subjects-Engineering-General? Subjects-Medicine-Dentistry-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Medicine-Dentistry-General? Dump Trucks and Diggers Candlewick Pr? Robert Crowther? CandlewickPr? RobertCrowther? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Let's Look Inside the Yellow Truck A Lift-The-Flap Book (Leslie, Amanda. Lift-the-Flap Book.) Candlewick Pr? Amanda Leslie? CandlewickPr? AmandaLeslie? ジャンル別? Substores-UnknownASINs-19? Subjects-Children sBooks-Baby-3-General? Subjects-Children sBooks-Baby-3-Pop-Up&Movable-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Cars&Trucks-Fiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General High in the Sky (Supersmarts) Candlewick Pr? Steve Parker? CandlewickPr? SteveParker? ジャンル別? Substores-UnknownASINs-62? Subjects-Children sBooks-Reference&Nonfiction-School&Education? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Aviation-Nonfiction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Making Tracks (Supersmarts) Candlewick Pr? Steve Parker? CandlewickPr? SteveParker? ジャンル別? Substores-UnknownASINs-19? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General The History News In Space (History News (Candlewick)) Candlewick Pr? Michael Johnstone? CandlewickPr? MichaelJohnstone? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Astronomy? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Journey into Space A Giant Pop-Up, Fold-Out Book to Read and Display! Candlewick Pr? Tim Furniss? Sadie Fields? CandlewickPr? TimFurniss? SadieFields? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Fiction-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Experiment Research Notebook for Scientists and Engineers Jones & Bartlett Pub? Jones & Bartlett? Jones&BartlettPub? Jones&Bartlett? ジャンル別? Subjects-Engineering-General? Subjects-Medicine-InternalMedicine-Endocrinology&Metabolism? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Medicine-InternalMedicine-Endocrinology&Metabolism? Complex Analysis for Mathematics and Engineering Jones & Bartlett Pub? John H. Mathews? John Matthews? Russell W. Howell? Jones&BartlettPub? JohnH.Mathews? JohnMatthews? RussellW.Howell? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-General? Subjects-Science-General Subjects-Science-Mathematics-General? Physics for Scientists and Engineers Chapters 23-39 Jones & Bartlett Pub? Lawrence S. Lerner? Jones&BartlettPub? LawrenceS.Lerner? ジャンル別? Subjects-Engineering-General? Subjects-Medicine-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Medicine-General? Advanced Engineering Mathematics (Prindle, Weber Schmidt Series in Mathematics) Jones & Bartlett Pub? Dennis G. Zill? Michael R. Cullen? Jones&BartlettPub? DennisG.Zill? MichaelR.Cullen? ジャンル別? Substores-UnknownASINs-60? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-General Subjects-Science-Mathematics-General? Advanced Engineering Mathematics Jones & Bartlett Pub? Dennis G. Zill? Michael R. Cullen? Jones&BartlettPub? DennisG.Zill? MichaelR.Cullen? ジャンル別? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Engineering-General? Advanced Engineering Mathematics Jones & Bartlett Publishers Inc.,U.S.? Zill? Jones&BartlettPublishersInc.,U.S.? Zill? ジャンル別? Substores-UnknownASINs-60? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Advanced Engineering Mathematics International Jones & Bartlett Pub? Zill Dennis G.? Jones&BartlettPub? ZillDennisG.? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Complex Analysis for Mathematics and Engineering Jones & Bartlett Pub? John H. Mathews? Russell W. Howell? Jones&BartlettPub? JohnH.Mathews? RussellW.Howell? ジャンル別? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied-General? Complex Analysis for Mathematics And Engineering Jones & Bartlett Pub? John H. Mathews? Russell W. Howell? Jones&BartlettPub? JohnH.Mathews? RussellW.Howell? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Calculus? Advanced Engineering Math 3e (Paper Jones & Bartlett Publishers Inc.,U.S.? Zill? Jones&BartlettPublishersInc.,U.S.? Zill? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Refresher for Operating Safely in Hazardous Environments (Worksafe) Jones & Bartlett Pub? Joseph A. Cocciardi? Jones&BartlettPub? JosephA.Cocciardi? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Medicine-Specialties-EmergencyMedicine? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Emergency? Subjects-Science-General Subjects-Science-Technology-Safety&Health? Subjects-Science-Medicine-Specialties-EmergencyMedicine? Student Solutions to Accompany Advanced Engineering Mathematics Third Edition Jones & Bartlett Publishers? Warren S. Wright? Carol D. Wright? Jones&BartlettPublishers? WarrenS.Wright? CarolD.Wright? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-General? Advanced Engineering Mathematics Jones & Bartlett Pub? Dennis G. Zill? Michael R. Cullen? Jones&BartlettPub? DennisG.Zill? MichaelR.Cullen? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-General? Pioneers of the Air (Great Explorers Series) Barrons Juveniles? Molly Burkett? BarronsJuveniles? MollyBurkett? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Exploration&Discovery? Subjects-Children sBooks-History&HistoricalFiction-UnitedStates-Other? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Aviation-Nonfiction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Barron's How to Prepare for the Fundamentals of Engineering Fe/Eit Exam Barrons Educational Series Inc? Masoud Olia? Armen Casparian? BarronsEducationalSeriesInc? MasoudOlia? ArmenCasparian? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-General? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-TestPrepCentral-General? On the Job With a Firefighter Neighborhood Guardian (On the Job Series) Barrons Juveniles? Jamie Kyle McGillian? Jake Miller? Susan Gal? BarronsJuveniles? JamieKyleMcGillian? JakeMiller? SusanGal? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-People&Places-Careers? Subjects-Children sBooks-Obsessions-Firefighting? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Barron's How to Prepare for the Fundamentals of Engineering Fe/Eit Exam Fundamentals of Engineering Barrons Educational Series Inc? Masoud Olia? BarronsEducationalSeriesInc? MasoudOlia? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-TestPrepCentral-General? The Best of Time Rolex Wristwatches An Unauthorized History (Schiffer Book for Collectors) Schiffer Pub Ltd? James M. Dowling? Jeffrey P. Hess? SchifferPubLtd? JamesM.Dowling? JeffreyP.Hess? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-History-Europe-Switzerland? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Reference? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Lledo Toys A Collector's Guide With Values (Schiffer Book for Collectors With Values) Schiffer Pub Ltd? Edward Force? SchifferPubLtd? EdwardForce? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Gasoline Treasures With Values (Schiffer Book for Collectors) Schiffer Pub Ltd? Michael Bruner? SchifferPubLtd? MichaelBruner? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Home&Garden-Antiques&Collectibles-Transportation? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Omega Designs (Feast for the Eyes) Schiffer Pub Ltd? Anton Kreuzer? SchifferPubLtd? AntonKreuzer? ジャンル別? Subjects-Arts&Photography-Fashion-History? Subjects-Arts&Photography-Art-ArtHistory-Schools,Periods&Styles? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-History-Europe-Switzerland? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-Fashion? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? The Amazing Gooney Bird The Saga of the Legendary Dc-3 C-47 Schiffer Pub Ltd? Carroll V. Glines? SchifferPubLtd? CarrollV.Glines? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Guide to Vintage Trade Stimulators Counter Games With Values (Schiffer Book for Collectors) Schiffer Pub Ltd? Richard M. Bueschel? SchifferPubLtd? RichardM.Bueschel? ジャンル別? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Subjects-Reference? Antique Typewriters From Creed to Qwerty (Schiffer Book for Collectors) Schiffer Pub Ltd? Michael H. Adler? SchifferPubLtd? MichaelH.Adler? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Reference? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? German Firefighting Vehicles in World War II (Schiffer Military History Book) Schiffer Pub Ltd? Michael Foedrowitz? SchifferPubLtd? MichaelFoedrowitz? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII? Subjects-History-Europe-Germany-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-General 洋書
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Management of Agricultural Drought Agronomic and Genetic Options Science Pub Inc? N. P. Saxena? SciencePubInc? N.P.Saxena? ジャンル別? Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-Agronomy? Substores-UnknownASINs-jp-unknown3? The Conservation and Improvement of Sloping Land A Manual of Soil and Water Conservation and Soil Improvement on Sloping Land Practical Understanding Science Pub Inc? P. J. Storey? SciencePubInc? P.J.Storey? ジャンル別? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-SoilScience? Substores-UnknownASINs-jp-unknown3? Newton's Telecom Dictionary Covering Telecommunications, Networking, Information Technology, Computing nd the Internet Updated, Improved and Expanded (Newton's Telecom Dictionary) Cmp Books? Harry Newton? CmpBooks? HarryNewton? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-Programming-Introductory&Beginning-ComputerDictionaries? Subjects-Engineering-Reference? Subjects-Engineering-Telecommunications-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Computer? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Reference-Dictionaries&Thesauruses-Computer? Subjects-Reference-General? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Crisis Communication Case Studies in Healthcare Image Restoration Hcpro? Richard L. Johnson? Robert E. (FWD) Brown? Hcpro? RichardL.Johnson? RobertE.(FWD)Brown? ジャンル別? Subjects-Medicine-Administration&Policy-HospitalAdministration? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Administration&Policy-HospitalAdministration? Experimentation Matters Unlocking the Potential of New Technologies for Innovation Harvard Business School Pr? Stefan H. Thomke? HarvardBusinessSchoolPr? StefanH.Thomke? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises? Subjects-Business&Investing-ByPublisher-HarvardBusinessSchoolPress-Management? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Digital Defense What You Should Know About Protecting Your Company's Assets Harvard Business School Pr? Thomas J. Parenty? HarvardBusinessSchoolPr? ThomasJ.Parenty? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Management&Leadership-Leadership? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises? Subjects-Business&Investing-ByPublisher-HarvardBusinessSchoolPress-Leadership? Subjects-Business&Investing-ByPublisher-HarvardBusinessSchoolPress-Management? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Security? Subjects-Computers&Internet-WebDevelopment-Security&Encryption-NetworkSecurity? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Leadership? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Microbial Pathogens and Disinfection By-Products in Drinking Water Health Effects and Management of Risks Intl Life Science Inst? Gunther F. Craun? Fred S. Hauchman? Denise E. Robinson? IntlLifeScienceInst? GuntherF.Craun? FredS.Hauchman? DeniseE.Robinson? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Popular Patents America's First Inventions from the Airplane to the Zipper Scarecrow Pr? Travis Brown? ScarecrowPr? TravisBrown? ジャンル別? ユーズドブック(洋書)-Law? Subjects-Engineering-Patents&Inventions? Subjects-History? Subjects-Law-IntellectualProperty-General? Subjects-Law-IntellectualProperty-Patent,Trademark&Copyright? Subjects-Nonfiction-Law-IntellectualProperty-General? 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Subjects-Science-Technology-General&Reference Classic American Bicycles (Enthusiast Color Series) Motorbooks Intl? Jay Pridmore? MotorbooksIntl? JayPridmore? ジャンル別? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Sports? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Automotive? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-BikeRepair? Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Sports-IndividualSports-Cycling-BikeRepair? Subjects-Sports-IndividualSports-Cycling-General? Proceedings of the 1999 International Conference on Software Engineering (International Conference on Software Engineering//Proceedings of International Conference on Software Engineering) Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-General? Subjects-Science-General Subjects-Science-Technology-General&Reference 1999 International Symposium on Low Power Electronics and Design Proceedings Hyatt Islandia San Diego Bay, San Diego, Ca August 16-17, 1999 Ieee? International Symposium on Low Power Electronics and Design (2000 Rapallo? Italy) Portacino Coast? Ieee? InternationalSymposiumonLowPowerElectronicsandDesign(2000 Rapallo? Italy)PortacinoCoast? ジャンル別? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Subjects-Science-General Subjects-Science-Technology-General&Reference Mobicom 99 Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Hardware/Software Codesign 8th International Workshop Proceedings Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Conference on Human Factors Computing Systems Proceedings 2000 April, the Hague, the Netherlands Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Human Factors Computing Systems Proceedings, 2001 Mar 31-apr 5, Seattle Assn for Computing Machinery? AssnforComputingMachinery? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Mars? Subjects-Science-Technology-General&Reference 洋書
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PROLOGUE (Une scène à deux étages réunis par un escalier assez raide. Sur la scène II un bûcher et au milieu du bûcher un poteau auquel Jeanne est attachée par des chaînes. Pendant la première scène obscurité complète) CHŒUR (sotto voce) Ténèbres! Ténèbres! Ténèbres! Et la France était inane et vide, et les tenèbres couvraient la face du royaume. Et l Esprit de Dieu sans savoir où se poser planait sur le chaos des âmes et des coeurs, sur le chaos des âmes et des volontés sur le chaos des consciencies et des âmes. SOPRANO Du fond de l engloutissement j ai élevé mon âme vers toi, Seigneur! Ah Seigneur, si vous tardez encore, qui sera capable de vous soutenir? CHŒUR Ténèbres! Ténèbres! Ténèbres! Et la France était inane et vide, et les tenèbres couvraient la face du royaume. Toi, de la gueule du lion et de la main des unicornes, sauve-nous, Eli, Fortis, Ischyros! RÉCITANT Il y eut une fille appelée Jeanne! CHŒUR Il y eut une fille appelée Jeanne! Il y eut une fille appelée Jeanne! Qui, qui, qui a jamais ouï dire une telle chose? Qui, qui, qui a jamais entendu rien de pareil? Il y eut une fille appelée Jeanne! Est-ce que la terre enfantera en un seul jour? Et tout un peuple sera-t-il engendré dans un même temps? Du fond de l engloutissement j ai élevé mon âme vers toi, Seigneur! RÉCITANT Il y eut une fille appelée Jeanne! CHŒUR Fille de Dieu, va! va! va! RÉCITANT Est-ce que la France va être déchirée en deux pour toujours? CHŒUR Fille de Dieu, va! va! va! RÉCITANT Ce que Dieu a uni, que l homme ne le sépare pas! CHŒUR Fille de Dieu, va! va! va! Cet amour qui nous unit à nos frères. Qui! Qui! Qui sera capable de nous en séparer? Pas la violence, ni le découragement, ni la fraude, et ni l altitude, ni la profondeur… RÉCITANT Il y eut une enfant appelée Jeanne! CHŒUR Et la France était inane et vide et les ténèbres couvraient la face du royaume. De profundis clamavi ad te, Domine, Domine, quis sustinebit? RÉCITANT Il y eut une vierge appelée Jeanne. Scène I Les voix du ciel (On entend un chien hurler dans la nuit. Une fois. Deux fois. A la seconde fois l’orchestre se mêle au hurlement en une espèce de sanglot ou de rire sinistre. A la troisième fois les choeurs. Puis silence. Puis les Voix de la nuit sur la forêt à quoi se mêle peut-être, très faiblement, la chanson de Trimazô et une impression limpide de rossignol. Puis silence et quelques mesures de méditation douloureuse. Puis de nouveau le choeur à bouches fermées. Crescendo. Diminuendo. Puis les Voix, distinctes) CHŒUR Jeanne! Jeanne! Jeanne! Scène II Le livre (Jeanne à demi assise et agenouillée au pied du poteau éclairée par un réflecteur. Entre au pied du bûcher Frère Dominique tenant un livre.) FRÈRE DOMINIQUE Jeanne! Jeanne! Jeanne! JEANNE Qui m appelle? Qui est-ce qui m appelle? Qui est-ce qui a dit Jeanne? (Les voix s estompent progressivement à l imperceptible. Le Réflecteurs sur Fray Domingo) FRERE DOMINIQUE Ne me reconnais-tu pas? JEANNE Je reconnais l habit de Dominique, la robe blanche et le manteau noir. FRERE DOMINIQUE Ma robe blanche que mes frères de Paris et de Rouen ont souillée d une telle souillure que ni la soude, ni l herbe à foulon ne suffiront à l effacer. JEANNE Frère Dominique, la bonté de Dieu y suffira, et le sang de cette fille innocente. FRERE DOMINIQUE Jeanne, ma soeur, ainsi tu m as reconnu? JEANNE Frère, frère Dominique, nous sommes des animaux de la même laine! Et moi, je suis quelqu un dans le troupeau qui reconnait la voix de son conducteur. FRERE DOMINIQUE Puisque mes frères et mes fils m ont trahi; puisque ceux qui devraient être la puissante voix du Vrai se sont faits à contre-Dieu tes accusateurs et tes bourreaux, Jeanne. Puisque la parole entre ces mauvais doigts entremêlés est devenue grimoire, c est moi-même, Dominique, moi, Dominique, qui du ciel suis descendu vers toi avec ce livre. JEANNE Dominique, frère Dominique, tous ces temps, tous ces temps que voici j ai vu beaucoup de plumes à l oeuve autour de moi. FRERE DOMINIQUE Tout cela a fait un livre. JEANNE Cette voix terrible qui me questionnait et toutes ces plumes sans relâche autour de moi. Tout cela a fait un livre et moi, je ne sais pas lire. FRERE DOMINIQUE Le livre que je t apporte pour le comprendre, il n y a pas besoin de savoir ni A ni B. Ce paquet de mots que ces Limousins sur la terre ont ficelé dans le latin de Fouarre; cette procédure qu ils ont pétrie dans le patois de Coutances, les Anges pour tous les temps l ont traduit dans le ciel. JEANNE Lis donc, Frère, au nom de Dieu, pour moi et moi, je regarde par dessus ton épaule. FRÈRE DOMINIQUE (faisant le signe de la croix) Au nom du Père et du Fils et du Saint-Esprit. Ainsi soit-il. CHŒUR Ainsi soit-il. (Fray Domingo se trouve sur le premier barreau de l échelle. Jeanne fait le signe de la croix avec ses mains enchaînées) Scène III Les voix de la terre FRERE DOMINIQUE (lisat) Jeanne! Jeanne! Jeanne! Hérétique! Sorcière! Relapse! Ennemie de Dieu. Ennnemie du Roi. Ennemie du Peuple. Qu on l enlève, qu on la tue, qu on la brûle! JEANNE Hérétique! Sorcière! Relapse! Frére Dominique! Tout cela, c est Jeanne d Arc? Est-ce vrai? Est-ce moi qui suis tout cela? CHŒUR Hérétique! Sorcière! Relapse! Jeanne! Jeanne! Jeanne! JEANNE Eh quoi! Ces prêtres que je vénérais, ce pauvre peuple que j aimais. Leur Jeanne, leur pauvre enfant avec eux c est vrai qu ils veulent la brûler? C est vrai qu ils me brûler… CHŒUR Assez! Assez! Assez! Jeanne! Jeanne! Jeanne! Qu on l enlève, qu on la tue, qu on la brûle! Hérétique! Sorcière! Relapse! FRERE DOMINIQUE Tu as entendu les voix du ciel, et maintenant écoute en bas ce qu ils en ont fait; écoute ce qu ils en ont retenu. Écoute les voix de la terre! BASSE SOLO (à la Bach) Mulier spiritum pythonis habens, anima quaedeclinaverit ad magos et ariolos et fornicatafuerit cum eis… CHŒUR (violemment) Joanna! BASSE SOLO (de même) Ponam, ponam faciem meam contra eam et interficiam eam de medio populi mei! CHŒUR (violemment) lex est! TENOR SOLO (Impérieuse) Joanna! CHŒUR Hic, hic, hic, hic, hic est Joanna. Hic est Joanna peccatrix! TENOR SOLO Stryga! CHŒUR Pereat! TÉNOR SOLO Haeretica! CHŒUR Pereat! TÉNOR Relapsa! CHŒUR Pereat! TENOR Malis artibus addicta! Inimica Regis et Populi! CHŒUR Morte moriatur! TÉNOR Prostibulum inferni! Instrumentum Satanae! CHŒUR Comburatur igne! JEANNE C est vrai! C est vrai! Je me souviens! Le feu qui brûle! Cette fumée qui étouffe! Oh comme cela fait mal! Prêtres! Prêtres de Jésus Christ! C est vrai que je faisais tant de mal? C est vrai que vous la détestiez tellement, votre pauvre Jeanne? CHŒUR (Sourdement) Pereat! FRERE DOMINIQUE Non, Jeanne, ce ne sont pas des prêtres qui t ont jugée. Quand ces bêtes féroces se sont réunies autour de toi, la rage au coeur et l écume aux crocs, ces prêtres, ces politiques, l Ange du Jugement qui tient les hautes balances d un soufflet il a fait tomber de leurs têtes et de leurs épaules la mitre, le capuchon et le froc. (Entrent les Juges en bottes dans un coin.) Les voici dépouillés comme des forçats! Qu ils reçoivent la coiffure qui leur est appropiée! Ils faut que Jeanne comme jadis ses soeurs sur l arène de Rome soit livrée aux bêtes! L élue de Dieu, la Sainte de Dieu. Ce ne sont pas des prêtres, ce ne sont pas des hommes, ce sont des bêtes qui vont la juger. Scène IV Jeanne livrée aux bêtes. (Entre l’appariteur avec plusieurs serviteurs portant les défroques, les masques et les coiffures) LE HERAUT (coup de trompette) La Cour! Faites silence! L APPARITEUR Qui sera le Président? LE HERAUT Le Tigre! CHŒUR Le Tigre! L APPARITEUR Le Tigre se récuse. LE HERAUT Le Renard! CHŒUR Le Renard! L APPARITEUR Le Renard dit qu il est malade. LE HERAUT Le Serpent! CHŒUR Le Serpent! L APPARITEUR Le Serpent s est sifflé lui-même au fond d un trou. LE HERAUT Mais alors il n y a personne pour présider? CHŒUR Mais alors? Si! Si! Si! fait! Il y a quelqu un! L APPARITEUR Qui est-ce? Qui se propose pour juger Jeanne d Arc? PORCUS Moi! Moi! Moi! Moi! Je me propose pour juger Jeanne d Arc. L APPARITEUR Qui êtes-vous? Comment vous appelez-vous? PORCUS Ego nominor Porcus. Je m appelle Cochon. Moi! Moi! Je suis le Cochon. CHŒUR Porcus! Porcus! Roin! Roin! Sit Porcus praeses noster! Non habemus alium judicem nisi Porcum. Vivat et semper vivat Porcus porcorum! Dignus, dignus est praesidere in nostro praeclaro corpore! Roin! Roin! Sicut lilium inter spinas, ita formosus iste inter cucullos! Quis enim dedit nobis patatas? Ceciderunt stellae de coelo et factae sunt pro nobis patatae? Ecce quam bonum et jucundum est habitare fratres in unum, omnes comedentes patatas. Quis judex sicut Porcus Dominus noster? Hic est Nasus inter nasos dijudicans truphas et patatas. Sternutatio ejus splendor ignis. PORCUS Moi! Moi! Je suis le Cochon! CHŒUR Porcus porcorum! Roin! Roin! Vivat et semper vivat Porcus praeses noster! (L’ Appariterr coiffe Porcus d’une tête de cochon- Le président ouvre la séance) L APPARITEUR Qui sont les assesseurs? CHŒUR Bée! bée! bée! (Tout avance à la fois) L APPARITEUR Qui êtes-vous? CHŒUR Ego nominor Péééééécus. L APPARITEUR Pecus de pecore, prenez-place à droite et à gauche et recevez vos insignes. (On les coiffe de têtes de mouton.) Et maintenant, où est le greffier? L ANE C est moi, l Âne! Asinus adest. (Vient le âne. Immense éclat de rire dans le choeur se terminant par des sanglots.) CHŒUR Ha! ha! ha! ha! ÂNE CHŒUR (comme aux fêtes de l’Âne au Moyen Age) BASSES, ENSUITE SOPRANOS Ecce magnis auribus Adventavit Asinus, Pulcher et fortissimus Sarcinis aptissimus. LES AUTRES Hé Sire Âne, ça chantez, Belle bouche rechignez, Vous aurez du foin assez, Et de l avoine à planté, Hi ha!, hi ha!, hi ha! PORCUS Faites entrer l accusée! (Entre Jeanne enchaînée.) Jeanne, successit illi praeclaro tribunali, je veux dire qu après de longs efforts ce sage et illustre tribunal a enfin réussi par des moyens tour à tour sauves et sévères, et par de patientes et ingénieuses interrogations tant physisques que morales, à éliciter la vérité du fond d une volonté égarée et d un coeur pervers. (Le Chœur d âne éclate soudain de rire) CHŒUR Ecce magnis auribus! LE HERAUT Silence! PORCUS Et maintenant il a plu au Roi de France et d Angleterre, notre légitime souverain… (Tous les lieu, renforcer leurs fausses têtes et retourner se pour asseoir) … De te convoquer ici pour entendre ta juste sentence. Tu vas ouir par quelles industries, dans sa grande miséricorde cette Cour sage et illustre que moi, Cochon, je préside… (Tous les lieu, saluent et revenir s asseoir) … A décidé de te débarrasser grâce à la flamme claire du feu de ce noir démon à laquelle tu t es criminellement enchevêtrée. Mais auparavant nous voulons encore une fois de ta bouche cet aveu solennel qui est nécessaire à la sécurité de nos consciences. À genoux! (Jeanne s agenouille) Joanna, filia Romae, faterisne et confiteris te tenerrimam puellam non naturali auxilio victoriam de manibus Regis Nostri… (Tous les lieu, saluent ) … Evulsisse et fortes exercitus ejus sicut paleam in probrosissimam fugam versisse? Traduisez! L ANE Jeanne, reconnais-tu que ce n est pas par tes propres forces et des moyens naturels que tu es venue à bout des Anglais? JEANNE Je l avoue! CHŒUR Elle avoue! PORCUS Écrivez! (Le notaire écrit) Joanna, filia Romae, faterisne et confiteris te auxilio Diaboli potentissimi alapum dedisse Regi Nostro et fortes exerci tus ejus in probrosissimam fugam versisse? Traduisez! L ANE Jeanne, reconnais-tu que c est par l aide du Diable, très puissant Notre Seigneur… (Tous font le geste de se lever.) PORCUS Assis! Assis! Quels idiots! Assis au nom du Diable! (Il arrache le papier des mains de l’Âne.) Jeanne, reconnais-tu que c est par l aide du Diable que tu as tout fait? JEANNE Je dis Non! PORCUS Qu est-ce qu elle dit? L ANE Elle dit qu elle dit oui! PORCUS Écrivez qu elle a dit oui. Et maintenant je vais consulter le tribunal. (S’adressant à droite au premier assis) Pecus, quid dicis? PECUS Bée, bée, bée, bée! PORCUS (s’adressant à gauche de même) Pecus, quid dicis? CHŒUR (a cappella) Bée, bée, bée! L ANE Habemus confitentem reum. PORCUS Docti et sancti fratres, sic vobis justum et aequum videtur ut Joanna, filia Romae, Stryga, morti condemnetur? CHŒUR (violemment) Moriatur stryga! PORCUS Fiat voluntas Regis Nostri! (Toutes salut) Audivistis sententiam. (Comme au début, montant) Stryga! CHŒUR Pereat! PORCUS Haeretica! CHŒUR Pereat! PORCUS Relapsa! CHŒUR Pereat! PORCUS Inimica Regis et totius generis humani! CHŒUR Morte moriatur! PORCUS Joanna Stryga, filia Romae! CHŒUR Comburatur igne! Scène V Jeanne au poteau (Hurlement du chien) JEANNE Quel est ce chien qui hurle dans la nuit? FRERE DOMINIQUE Ce n est pas un chien, c est Yblis le désepéré qui hurle tout seul au fond de l enfer! BASSES Hérétique! JEANNE Hérétique! BASSES Sorciére! JEANNE Sorcière! BASSES Relapse! JEANNE Relapse! BASSES Cruelle! JEANNE Cruelle! C est moi, Jeanne, qui suis tout cela? L Église, les prêtres, tout ce qu il y a au monde de respectable et de capable et de savant; c est cela, d une voix qui me condamne. Explique-moi, frère Dominique, qu est-ce que j ai fait? Lis-moi ce qui est dans le livre. FRERE DOMINIQUE Tous ces grands hommes qui t ont condamnée, ces docteurs et ces savants, Malvenu, Jean Midi, Coupequesne et Toutmouillé, ils croient dur au Diable, mais ils ne veulent pas croire à Dieu. Le Diable, c est une réalité les Anges, c est une bêtise. Le Diable que tu détestais, il t a aidée les Anges que tu invoquais, ils n ont rien fait. Et criminelle des deux côtés ils te condamnent de l une et l autre main. Telle est la sagesse de la Sorbonne. Tels sont ces illustres docteurs qui donnent des nazardes au Pape. JEANNE Mais moi, la pauvre pastoure de Domrémy, comment est-ce que je suis venue jusqu ici? FRERE DOMINIQUE Tu y es venue par l opération du jeu de cartes qu un roi fou a inventé. JEANNE Qu est-ce que c est que le jeu de cartes? FRERE DOMINIQUE On va te l expliquer. Scène VI Les rois ou l’invention du jeu de cartes HERAUT I (expliquant) Le jeu de cartes comprend quatre Rois, quatre Dames et quatre Valets. HERAUT II Sans compter les Chiffres qui sont sept. HERAUT I Le résultat de la partie est que les Rois chan gent de place. HERAUT II Ce qui était au midi va au nord. HERAUT I Ce qui était au levant va au couchant. Ça tourne. HÉRAUT II Quant aux Reines, elles ne changent pas de place, elles sont toujours là. HERAUT I Faites entrer Leurs Majestés! HERAUT III (Annonçant) Le Roi de France! (Entre le Roi de France qui va s’asseoir sur un trône.) Sa Majesté la Bêtise! (Entre la Bêtise.) Le Roi d Angleterre! (Entre le Roi d’Angleterre, un enfant.) Sa Majesté l Orgueil! (Entre l’Orgueil) Le Duc de Bourgogne! (Entre le Duc de Bourgogne.) Sa Majesté l Avarice! (Entre l’Avarice.) HERAUT II Et quel est le quatrième Roi? HERAUT I Dans toutes les parties de cartes il y a un mort. HERAUT III (Annonce à la porte) La Mort! (Entre la Mort.) HERAUT I Et voici maintenant sa compagne et très fidèle épouse, celle qui partage son lit. HERAUT III Sa Majesté la Luxure! (Entre la Luxure) HERAUT I Les Rois changent de place, mais les Reines, Sa Majesté l Orgueil, Sa Majesté la Bêtise, Sa Majesté l Avarice, Sa Majesté la Luxure, ces Majestés ne changent pas de place, elles restent toujours avec nous. HERAUT II Mais ceux qui jouent réellement la partie. ce ne sont pas les Rois, ni les Reines. ce sont les Valets. HERAUT I Faites entrer les Valets! HERAUT III Sa grâce le Duc de Bedford! Son Altesse Jean de Luxembourg! Sa Grandeur Regnault de Chartres! Guillaume de Flavy! (Ils entrent) JEANNE C est lui qui a baissé la herse derrière moi à Compiègne. HERAUT I Le jeu commence, il comprend trois parties. (Sonnerie de trompettes – Musique de vielle Il commence le jeu. Chaque de côté boîte de prises, deux autres carrés un de décoratifs chevaliers et autres de paysans ; c est-à-dire trois donnant Cannée et celui qui les reçoit) Première Partie REGNAULT DE CHARTRES J ai perdu, je veux dire que j ai gagné. BEDFORD J ai gagné, je veux dire que j ai perdu. Deuxième Partie GUILLAUME DE FLAVY La carte maîtresse. JEAN DE LUXEMBOURG Je coupe! Troisième Partie REGNAULT DE CHARTRES J ai gagné! DUE DE BEDFORD J ai perdu! GUILLAUME DE FLAVY J ai perdu, j ai de l argent plein les poches. JEAN DE LUXEMBOURG J ai gagné et j ai de l argent plein les poches. GUILLAUME DE FLAVY Messieurs, je vous livre Jeanne d Arc la Pucelle. BEDFORD La Sorcière! REGNAULT DE CHARTRES Bien le bonjour, Messieurs, et à l avantage de vous revoir! BASSES (sordide) Comburatur igne! Scène VII Cathérine et Marguerite (Cloches dans la nuit – des Voix) JEANNE Quelles sont ces cloches dans la nuit? FRERE DOMINIQUE Les cloches qui sonnent le glas. JEANNE Et qui invitent les bonnes âmes à prier pour Jeanne d Arc. FRERE DOMINIQUE Hérétique! Sorcière! Cruelle! Relapse! BASSES (sordide) Comburatur igne! JEANNE Merci, bonnes cloches! Mes soeurs! Mes amies! Mes voix qui s étaient tues, les voilà de nouveau qui parlent! FRERE DOMINIQUE La cloche noire et la cloche blanche! BASSES Comburatur igne! (Les deux cloches sonnent à la fois) CATHERINE De profondis clamavi ad te, Domine. MARGUERITE Spera, spira! spera, spira! Jésus! Marie! CATHERINE Libera me, Domine, de ore leonis dum veneris judicare saeculum per ignem. MARGUERITE Spera, spira! spera, spira! Jésus! Marie! BASSES Comburatur igne! JEANNE Catherine et Marguerite. Je les reconnais! La Catherine qui dit "De Profundis" et la Marguerite bleue et blanche dans le ciel qui dit "Papa! Maman!" Comme je les écoutais jadis à Domrémy, la Catherine et la Marguerite! Jésus! Marie! J ai écrit ces deux noms sur ma jolie bannière bleue et blanche. Jésus! Marie! Catherine! Marguerite! Et moi; ce petit bout de femme dans les orties et les boutons d or, si ébahie qu elle oubliait de manger sa tartine. CATHERINE, MARGUERITE (Soudain violent) Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va! va! JEANNE J irai! J irai! Je vais! Je suis allée! Où est ma bonne épée! CATHERINE, MARGUERITE Jeanne! Jeanne! Jeanne! Prends le Roi! Ramène le Roi de France! JEANNE C est fait! Je le tiens! J ai pris son cheval par labride! Je ramène mon gentil Roi! Je le ramène à travers la forêt! Je le ramène à travers la France! Scène VIII Le roi qui va-t-a rheims. (Cloches dans le lointain) CHŒUR (dans la lointain) VOIX D’ENFANTS (plus proches) Voulez-vous manger des cesses? Voulez-vous manger du flan? Quand irons-nous à Liesse? Quand irons-nous à Laon? BASSES La! la! la! la! LES AUTRES (Dans le tumulte) Heurtebise! Heurtebise! (Entre un cortège rustique escortant le Géant Heurtebise, qui n’est pas autre chose qu’un moulin à vent avec un grand chapeau de paille effilochée et une meule sous le bras comme une miche) Chanson D’Heurtebise CHŒUR Blanche ou grise Heurtebise Trouve que la farine altère, Heurtebise, mon compère, Qu as-tu fait de ta ménagère? Tout habillé de toile écrue Lustucru! Au prix de son beau blé jaune Réclame du vin de Beaune. Heurtebise, mon compère, Qu as-tu fait de ta ménagère? Tonneaux! tonneaux! tonneaux! la v là qu arrive par la Saône La Mère aux Tonneaux de Beaune, Tonneaux! tonneaux! tonneaux! CHANSON DE LA MERE AUX TONNEAUX Le vin de Beaune et de Troyes Le v là qu arrive tout droit. Heurtebise, mon compère, T as retrouvé ta commère. Nous avons bu trop de bière! Il nous faut du vin joli! Heurtebise, mon ami, Tu n auras plus la pépie! Heurtebise, c est fini De ce bouton sur la langue, Heurtebise, c est fini De rage et d esquinancie! (Heurtebise et la Mère aux Tonneaux se saluent solennellement.) HEURTEBISE (avec l’accent picard) Mère aux Tonneaux, il y a longtemps que je vous ai vue. LA MERE AUX TONNEAUX (avec l’accent de Bourgogne) Heurtebise, mon époux, vous avez bien mauvaise mine, mon pauvre, depuis l temps autrefois jadis que je vous ai pas vu. HEURTEBISE Madame Tonneaux, mon épouse, je vous apporte de la bonne galette au lard de Picardie. LA MERE AUX TONNEAUX Heurtebise, mon époux, qui virez à tous les vents, je vous apporte quelque chose qui vous fera t nir tranquille. HEURTEBISE Tonneaux, Tonneaux, ma femme! Tonneaux, Tonneaux, ma femme! Le bon pain de France et le bon vin de France, désormais, i ne faut plus qui soient séparés. LA MERE AUX TONNEAUX Heurtebise, mon ami, vous dites une bonne chose, et alors je vais vous embrasser. (Ils dansent grotesquement) CHŒUR ET VOIX D ENFANTS Vive Heurtebise! Vive la Mère aux Tonneaux! (Danse) Voulez-vous manger des cesses? etc. LE CLERC (se dressant tout droit au milieu d’eux comme une chandelle noire) Paysans! Croquants! Rustres agrestes et grossiers! N avez-vous point vergogne de vous réjouir ainsi comme des païens en cette santie veille de Noël pendant que le Roi Notre Seigneur se rend à Rheims pour y être consacré de la Main des Anges? UN PAYSAN Et c’est-i pas le moment de boire un petit coup parce qu’Heurtebise a retrouvé Jean Raisin, et que la moitié de la France sur son coeur a retrouvé l’autre moitié? UN AUTRE Surtout qu’i fait rudement frisquet, on peut le dire, à rester tout gelés comme ça à attendre. Un petit coup de vin, un petit air de danse, ça ne fait de mal à personne. LE CLERC La forêt elle-même pour se préparer aux mystères de cette sainte nuit s’est couvert la tête d’un voile blanc. Et vous autres, préparez vos coeurs au mystère qui va s’accomplir. UN PAYSAN Oh! Perrot, là-haut! oh! Perrot, là-haut! est-ce que tu vois quèqu’chose? PERROT, DU HAUT DE L’ARBRE Je vois une petite lumière CHŒUR Le Roi! Le Roi de France! LE CLERC Allons, mes enfants! Venez tous autour de moi et répétons tous ensemble cette belle antienne de latin tout blanc que je vous ai apprise. La terre a étendu un grand tapis de neige sous les pieds du Roi Notre Sire. Et nous de la Loire jusqu’à Rheims il faut que nous étendions un grand tapis de prières. (La flûte exécute l air “Aspiciens a longe”) Aspiciens a longe. Vous comprenez c’est le peuble Juif qui attend Le Messie comme nous le Roi notre Sire. Aspiciens a longe. Regardant de loin là-bas dans la distance la main au dessus des yeux et tout est plein d’obscurité et de confusion. CHŒUR Aspiciens a longe, ecce video Dei potentiam venientem et nebulam totam terram tegentem. VOIX D ENFANTS Ite obviam ei et dicite BASSE SOLO Nuntia nobis si tu es ipse… CHŒUR …qui regnaturus es in populo Israël. Rhythme de la marche royale (Loin) VOIX DE PERROT La v la qu arrive! Le Roi! Le Roi de France! (Trompettes et cris à distance) TOUTS Le Roi qui va-t-à Rheims! (Une partie de l auditoire se précipite vers le bas, où une procession à l emblème de cheval éclairé par des torches. La flûte prend plus doucement El tema « Aspiciens a longe »…) LE CLERC Qui regis Israël. CHŒUR Nuntia nobis si tu es ipse. (Le cortège à cheval s’éloigne et s’éteint.) CHŒUR Voulez-vous manger des cesses? Voulez-vous manger du flan? Quand irons-nous à Liesse? Quand irons-nous à Laon? LE CLERC (achevant l’antienne) Qui regnaturus es in populo Israël. JEANNE C est moi qui ai fait cela! FRERE DOMINIQUE C est! Dieu! C est Dieu qui a fait cela! JEANNE C est Dieu! C est Dieu avec Jeanne! Les voix ne m avaient pas trompée! Catherine et Marguerite, elles ne m ont pas trompée! CHŒUR Coupequesne, Jean Midi, Toutmouillé, Malvenu. Ils déclarent que tu t es trompée. JEANNE Le Roi ne voulait pas venir et c est moi qu ai pris son cheval par la bride. CHŒUR Sorcière! Cruelle! Hérétique! Schismatique! Homicide! Relapse! Imposture! Hystérique! Prostituée! JEANNE C est moi que l ai amené à travers toute la France! CHŒUR Pereat Stryga! (Crescendo) JEANNE C est moi qui l ai amené à Rheims! CHŒUR Morte moriatur! JEANNE C est moi qui ai sauvé la France! C est moi qui ai réuni la France! Toutes les mains de la France en une seule main! Un telle main qu elle ne sera plus divisée! CHŒUR Comburatur igne! FRERE DOMINIQUE Jeanne! Jeanne! Jeanne! Est-ce pour un Roi de chair que tu as donné ton sang virginal? Scène IX L’épée de Jeanne (Le jour se lève) MARGUERITE (dans la ciel) Spera! Spira! Spera! Spira! Spera! Spira! JEANNE J entends Marguerite dans le ciel mélangée à l exalation des rossignols et les douces petites étoiles à la voix de cette active soeur sacristine s éteignent l une après l autre. CHŒUR (a bocca chiusa pendant le dialogue suivant) FRERE DOMINIQUE Les pages de nuit, de sang, d outre-mer et de pourpre se sont effeuillées sous mes doigts et il ne reste plus sur le parchemin virginal qu une initiale dorée. JEANNE Que c est beau cette Normandie toute rouge et rose, toute rouge de bonheur, toute rose d innocence qui se prépare à faire avec moi la sainte communion dans l étincelante rosée! Que c est beau pour Jeanne la Pucelle de monter au ciel au mois de mai! Que tu es belle, ô ma belle Normandie, mais que dirais-tu, Frère Dominique, si, Marguerite et moi, nous pouvions t expliquer notre Lorraine? FRERE DOMINIQUE Parle, Jeanne, car je sais qu il ya des choses qu une petite fille peut m expliquer, moi, qui, ceint de fer et de cuir et les yeux fermés ai marché de bonne heure dans les sentiers de la pénitence. JEANNE Et que puis-je t expliquer, quand il y a encore au ciel une douzaine d étoiles au moins qui en savent plus que moi? FRERE DOMINIQUE Explique-moi ton épée! Est-ce vrai que tu as trouvé ton épée, cette terrible épée devant laquelle se sauvaient Anglais et Bourguignons, dans une chapelle en ruines? JEANNE Non, ce n est pas une chapelle en ruines! C est a Domrémy qu on me l a donnée. Ma bannière dans la main gauche, mon épée dans la main droite, ah! qui m aurait résisté? Jhésus Marie! Jhésus Marie! MARGUERITE (dans la ciel) Jhésus Marie! Jhésus Marie! (La musique, il se lève lentement) CATHERINE Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va! va! JEANNE Je vais! Je vais! J irai! Je suis allée! FRERE DOMINIQUE A qui est-ce que tu parles ainsi? JEANNE Es-tu sourd? N entends-tu pas les voix qui disent Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va, va! Ah, ce n est plus sorcière maintenant qu elles disent, c est mon petit nom de chrétienne, celui que j ai reçu au baptême, Jeanne! Ce n est plus hérétique et relapse et je ne sais quoi, et tous ces vilains noms. C est fille de Dieu! C est beau d être la fille de Dieu! Et ce n est pas seulement Catherine et Margherite, c est tout le peuple ensemble des vivants et des mort qui dit fille de Dieu! Jeanne! Jeanne! Fille de Dieu, va! va! va! Bien sûr que j’irai! CATHERINE, MARGUERITE, CHŒUR (Doucement et affaiblissement) Jeanne! Jeanne! Jeanne! Fille de Dieu, va, va, va! FRERE DOMINIQUE Mais tu ne m as pas expliqué l épée. JEANNE Mais pour que tu comprennes l épée, frère tondu, il faudrait que tu sois une petite fille Lorraine! Je peux pas faire de toi une petite fille Lorraine! Je peux pas te prendre la main et t amener avec nous pour chanter Trimazo avec Aubin et Rufin! VOIX D ENFANTS Trimazo! JEANNE Écoute ce qu ils disent! UNE VOIX D ENFANT En revenant de ces verts champs, j avons trouvé les blés si grands les aubépines fleurissant devant Dieu. JEANNE Écoute! Écoute! VOIX D ENFANTS Quand vous couchez vot bel enfant que Dieu le garde à son coucher et à tout heure de la journée devant Dieu. C est le Mai, mois de Mai, c est le joli mois de Mai! Un petit brin de vot farine, un petit oeuf de vot géline, c est pas pour boire ni pour manger, c est pour avoir un joli cierge, pour y lumer la Sainte Vierge, devant Dieu. CORO (bocca chiusa) JEANNE As-tu compris, frère Dominique? Ah, moi! Il n y a pas eu besoin de Coupequesne et Toutmouillé pour me l expliquer! C est le tilleul devant la maison de mon père, comme un grand prédicateur en surplis blanc dans le clair de lune, qui m a tout expliqué! VOIX D’ENFANTS C’est le Mai, mois de Mai, C’est le joli de Mai! FRERE DOMINIQUE Explique, et moi j écoute. JEANNE Quand il fait bien froid en hiver et que le froid et la gelée resserrent tout et on dirait que tout est mort, et les gens sont morts de froid et il y a de la neige et la glace sur tout comme un drap, et comme une cuirasse… et on croit que tout est mort et que tout est fini. BASSE SOLO (Au loin) Mais il y a l espérance qui est la plus forte. JEANNE On croit que tout est fini, mais alors il y a un rouge-gorge qui se met à chanter. MARGUERITE ET CATHERINE Fille de Dieu, va, va, va! JEANNE Il y a un mauvais petit vent venu d on ne sait où qui se met à souffler! Il y a une certaine petite pluie chaude qui se met à tomber sur vous. CHŒUR Il y a toute la forêt là-bas qui se met en mouvement! Il y a l espérance qui est la plus forte! JEANNE Et alors le temps de fermer les yeux et de compter jusqu à trois et tout est changé! Le temps de compter jusqu’à quatre, et tout est changé! MARGHERITE, CATHERINE, SOPRANOS Fille de Dieu, va! va! va! JEANNE Tout est blanc! tout est rose! tout est vert! CHŒUR Il y a toute la forêt là-bas qui se met en mouvement! JEANNE Celui qui voudrait empêcher les mirabelliers de fleur il faudrait qu il soit bien malin! Celui qui voudrait empêcher les cerisiers de ceriser, tellement que tout est plein de belles cerises… Mon père dit qu il faudrait qu il se lève matin de bonne heure! C est alors que Catherine et Marguerite se mettent à parler. BASSES Coupequesne-Jean Midi-Malvenu -Toutmouillé. Ils disent que tu t est trompée! JEANNE Et quand Jeanne au mois de Mai monte sur son cheval de bataille, il faudrait qu il soit bien malin celui qui empêcherait toute la France de partir! Les entends-tu ces chaînes de tous les côtés, qui éclatent et qui cassent? Ah! ces chaînes que j ai aux mains, elles me font rire! Je ne les aurai mie toujours! On a vu ce que Jeanne peut faire avec une épée. La comprends-tu maintenant, cette épée que Saint Michel ma donnée? Cette épée! Cette claire épée! Elle ne s appelle pas la haine, elle s appelle l amour! VOIX D ENFANTS Madame, nous vous remercions De vos bonnes intentions, Nous prions Dieu dans vot maison Aussi quand nous en sortirons. Devant Dieu. CATHERINE Rouen! Rouen! Rouen! JEANNE Rouen! Rouen! Tu as brûlé Jeanne d Arc, mais je suis plus forte que toi et tu ne m auras mie toujours! BASSES Jean Midi, Coupequesne, Toutmouillé, Malvenu. SOPRANOS, ALTOS Fille de Dieu, va!va!va! JEANNE Il y a l espérance qui est la plus forte! MARGUERITE Ah! JEANNE Il y a la foi qui est la plus forte! CHŒUR Il y a l’espérance qui est la plus forte! Il y a la joie qui est la plus forte! Fille de Dieu, va, va, va! MARGUERITE ET CATHERINE Fille de Dieu, va, va, va! MARGUERITE Spira! Spera! JEANNE Il y a Dieu! Il y a Dieu qui est le plus fort! VOIX D ENFANT C est le Mai, le mois de Mai, C est le joli mois de Mai! Scène X Trimazo JEANNE Un petit brin de vot farine, Un petit oeuf de vot géline, une petite larme pour Jeanne! une petite prière pour Jeanne! une petite pensée pour Jeanne! C est pas pour boire ni pour manger, C est pour aider avoir un cierge, Pour y lumer la Sainte Vierge. C est moi qui vais faire le joli cierge. Scène XI Jeanne d’arc en flammes LA VIERGE (au-dessus, sur le pilier de Jeanne) J accepte cette flamme pure. (Cependant dès les scènes précédentes la foule lentement s’est rassemblée devant l’échafaud hommes, femmes et enfants, formant transition avec le Choeur et le Public. Chœur divisé en différents Demi choeurs. Lecture) DEMI CHŒUR I C est écrit Jeanne - c est écrit sorcière - c est écrit hérétique – ennemie de tout le monde – c’est écrit - c’est écrit! DEMI CHŒUR I Jeanne la Sainte! Jeanne la Vierge! Jeanne la Pucelle! CHŒUR C est bien fait! C est elle qui a fait tout le mal! C est bien fait! De quoi c est qu elle s est mêlée? C est bien fait! Sans elle on serait tranquille! C est bien fait! C est elle qui a battu les Anglais! C est elle qui a ramené notre Roi à Rheims! Avec le secours du Diable! Avec le secours de Dieu! Qui est cette Jeanne au juste? Et si elle est de Dieu ou du Diable… Le feu va en décider. (à voix basse) Loué soit notre frère le feu qui est sage, fort, vivant, ardent, acéré, incorruptible. Loué soit notre frère le feu qui est savant à séparer l âme de la chair et de l esprit la cendre! JEANNE Eh quoi! Mon peuple, peuple de France! Il est vrai, Il est vrai que tu veux me brûler vive? LE PEUPLE Elle se réveille comme d’un rêve! JEANNE Et ce prêtre qui était là tout à l heure et qui me tenait à lire ce livre où je lisais? Il n est plus là, il me quitte, il est descendu. il n est plus là et je suis seule. LA VIERGE (au-dessus d’elle) Jeanne, Jeanne, tu n es pas seule! JEANNE J entends une voix au-dessus de moi qui dit “Jeanne, Jeanne, tu n es pas seule!”. LE PEUPLE Jeanne, Jeanne, tu n es pas seule! Il y a ce peuple en bas qui te regarde! JEANNE Je ne veux pas mourir! LE PEUPLE Elle dit qu’elle ne veut pas mourir! JEANNE J ai peur! LE PEUPLE Elle dit qu elle a peur. Ce n est qu une enfant après tout. Ce n était qu une pauvre enfant. Elle dit qu elle a peur UN PRETRE Signe donc! Signe ce papier! Avoue, avoue que tu as menti! JEANNE Et comment signerais-je lorsque mes mains sont liées? UN PRETRE On va t enlever tes chaînes. JEANNE Il y a d autres chaînes plus fortes, qui me retiennent. UN PRETRE Et quelles chaînes plus fortes? JEANNE Plus fortes que les chaînes de fer, les chaînes de l amour! C est l amour qui me lie les mains et qui m empêche de signer. C est la vérité qui me lie les mains et qui m empêche de signer. Je ne peux pas! Je ne peux pas mentir! LA VIERGE Jeanne, Jeanne, confie-toi donc au feu qui te délivrera! CHŒUR Loué soit notre frère le feu qui est pur, ardent, vivant, pénétrant, acéré, invincible, irrésistible, incorruptible. Loué soit notre frère le feu qui est puissant à rendre l esprit à l esprit et cendre cendre, ce qui est cendre à la terre. JEANNE Mère! Mère au-dessus de moi! Ah! J ai peur du feu qui fait mal! CHŒUR Loué soit notre frère le feu qui est sage, fort! Loué soit notre frère le feu qui est savant à séparer l’âme de la chair. Jeanne au-dessus de Jeanne! Flamme au-dessus de la flamme! LA VIERGE Tu dis que tu as peur de feu et déjà tu l as foulé aux pieds. JEANNE Cette grande flamme, cette grande flamme horrible, c est cela qui va être mon vêtement de noces? LA VIERGE Mais est-ce que Jeanne n est pas une grande flamme elle même? Ce corps de mort est-ce qu il sera toujours puissant à retenir ma fille Jeanne? CHŒUR Louée soit notre soeur la flamme qui est pure, forte, vivante, acérée, éloquente, invincible, irrésistible! Louée soit notre soeur la flamme qui est vivante! Louée soit notre soeur Jeanne qui est Sainte, droite, vivante, ardente, éloquente, dévorante, invincible, éblouissante! LA VIERGE Le Feu, est-ce qu il ne faut pas qu il brûle? Cette grande flamme au milieu de la France, est-ce qu il ne faut pas, qu elle brûle? CHŒUR Louée soit nottre soeur Jeanne qui est debout toujours comme une flamme au milieu de la France! LA VIERGE, MARGUERITE, CATHERINE (du ciel, avec une tendresse) Jeanne! Jeanne! Jeanne! Fille de Dieu! Viens! Viens! Viens! JEANNE Ce sont ces chaînes encore qui me retiennent! CHŒUR Il y a la joie qui est la plus forte! Il y a l amour qui est le plus fort! Il y a Dieu qui est le plus fort! JEANNE Je viens! Je viens! J ai cassé! J ai rompu! (Elle rompt ses chaînes.) CHŒUR La chaîne qui reliait Jeanne à Jeanne! La chaîne qui reliait l âme au corps! JEANNE Il y a la joie qui est la plus forte! Il y a l amour qui est le plus fort! MARGUERITE (dans le ciel) Hi…! Ah…! JEANNE Il y a Dieu qui est le plus fort! CATHERINE, ENFANTS (dans le ciel) Personne n a un plus grand amour que de donner sa vie pour ceux qu il aime. LA VIERGE, MARGUERITE, CATHERINE APRES CHŒUR (sur la terre) (comme si elles épelaient une inscription) Personne n a un plus grand amour – que de donner sa vie pour ceux qu il aime. (Plus faible et plus solennelle, comme s ils meditasen le sens) Personne n a un plus grand amour que de donner sa vie pour ceux qu il aime. PROLOGUE (Une scène à deux étages réunis par un escalier assez raide. Sur la scène II un bûcher et au milieu du bûcher un poteau auquel Jeanne est attachée par des chaînes. Pendant la première scène obscurité complète) CHŒUR (sotto voce) Ténèbres! Ténèbres! Ténèbres! Et la France était inane et vide, et les tenèbres couvraient la face du royaume. Et l Esprit de Dieu sans savoir où se poser planait sur le chaos des âmes et des coeurs, sur le chaos des âmes et des volontés sur le chaos des consciencies et des âmes. SOPRANO Du fond de l engloutissement j ai élevé mon âme vers toi, Seigneur! Ah Seigneur, si vous tardez encore, qui sera capable de vous soutenir? CHŒUR Ténèbres! Ténèbres! Ténèbres! Et la France était inane et vide, et les tenèbres couvraient la face du royaume. Toi, de la gueule du lion et de la main des unicornes, sauve-nous, Eli, Fortis, Ischyros! RÉCITANT Il y eut une fille appelée Jeanne! CHŒUR Il y eut une fille appelée Jeanne! Il y eut une fille appelée Jeanne! Qui, qui, qui a jamais ouï dire une telle chose? Qui, qui, qui a jamais entendu rien de pareil? Il y eut une fille appelée Jeanne! Est-ce que la terre enfantera en un seul jour? Et tout un peuple sera-t-il engendré dans un même temps? Du fond de l engloutissement j ai élevé mon âme vers toi, Seigneur! RÉCITANT Il y eut une fille appelée Jeanne! CHŒUR Fille de Dieu, va! va! va! RÉCITANT Est-ce que la France va être déchirée en deux pour toujours? CHŒUR Fille de Dieu, va! va! va! RÉCITANT Ce que Dieu a uni, que l homme ne le sépare pas! CHŒUR Fille de Dieu, va! va! va! Cet amour qui nous unit à nos frères. Qui! Qui! Qui sera capable de nous en séparer? Pas la violence, ni le découragement, ni la fraude, et ni l altitude, ni la profondeur… RÉCITANT Il y eut une enfant appelée Jeanne! CHŒUR Et la France était inane et vide et les ténèbres couvraient la face du royaume. De profundis clamavi ad te, Domine, Domine, quis sustinebit? RÉCITANT Il y eut une vierge appelée Jeanne. Scène I Les voix du ciel (On entend un chien hurler dans la nuit. Une fois. Deux fois. A la seconde fois l’orchestre se mêle au hurlement en une espèce de sanglot ou de rire sinistre. A la troisième fois les choeurs. Puis silence. Puis les Voix de la nuit sur la forêt à quoi se mêle peut-être, très faiblement, la chanson de Trimazô et une impression limpide de rossignol. Puis silence et quelques mesures de méditation douloureuse. Puis de nouveau le choeur à bouches fermées. Crescendo. Diminuendo. Puis les Voix, distinctes) CHŒUR Jeanne! Jeanne! Jeanne! Scène II Le livre (Jeanne à demi assise et agenouillée au pied du poteau éclairée par un réflecteur. Entre au pied du bûcher Frère Dominique tenant un livre.) FRÈRE DOMINIQUE Jeanne! Jeanne! Jeanne! JEANNE Qui m appelle? Qui est-ce qui m appelle? Qui est-ce qui a dit Jeanne? (Les voix s estompent progressivement à l imperceptible. Le Réflecteurs sur Fray Domingo) FRERE DOMINIQUE Ne me reconnais-tu pas? JEANNE Je reconnais l habit de Dominique, la robe blanche et le manteau noir. FRERE DOMINIQUE Ma robe blanche que mes frères de Paris et de Rouen ont souillée d une telle souillure que ni la soude, ni l herbe à foulon ne suffiront à l effacer. JEANNE Frère Dominique, la bonté de Dieu y suffira, et le sang de cette fille innocente. FRERE DOMINIQUE Jeanne, ma soeur, ainsi tu m as reconnu? JEANNE Frère, frère Dominique, nous sommes des animaux de la même laine! Et moi, je suis quelqu un dans le troupeau qui reconnait la voix de son conducteur. FRERE DOMINIQUE Puisque mes frères et mes fils m ont trahi; puisque ceux qui devraient être la puissante voix du Vrai se sont faits à contre-Dieu tes accusateurs et tes bourreaux, Jeanne. Puisque la parole entre ces mauvais doigts entremêlés est devenue grimoire, c est moi-même, Dominique, moi, Dominique, qui du ciel suis descendu vers toi avec ce livre. JEANNE Dominique, frère Dominique, tous ces temps, tous ces temps que voici j ai vu beaucoup de plumes à l oeuve autour de moi. FRERE DOMINIQUE Tout cela a fait un livre. JEANNE Cette voix terrible qui me questionnait et toutes ces plumes sans relâche autour de moi. Tout cela a fait un livre et moi, je ne sais pas lire. FRERE DOMINIQUE Le livre que je t apporte pour le comprendre, il n y a pas besoin de savoir ni A ni B. Ce paquet de mots que ces Limousins sur la terre ont ficelé dans le latin de Fouarre; cette procédure qu ils ont pétrie dans le patois de Coutances, les Anges pour tous les temps l ont traduit dans le ciel. JEANNE Lis donc, Frère, au nom de Dieu, pour moi et moi, je regarde par dessus ton épaule. FRÈRE DOMINIQUE (faisant le signe de la croix) Au nom du Père et du Fils et du Saint-Esprit. Ainsi soit-il. CHŒUR Ainsi soit-il. (Fray Domingo se trouve sur le premier barreau de l échelle. Jeanne fait le signe de la croix avec ses mains enchaînées) Scène III Les voix de la terre FRERE DOMINIQUE (lisat) Jeanne! Jeanne! Jeanne! Hérétique! Sorcière! Relapse! Ennemie de Dieu. Ennnemie du Roi. Ennemie du Peuple. Qu on l enlève, qu on la tue, qu on la brûle! JEANNE Hérétique! Sorcière! Relapse! Frére Dominique! Tout cela, c est Jeanne d Arc? Est-ce vrai? Est-ce moi qui suis tout cela? CHŒUR Hérétique! Sorcière! Relapse! Jeanne! Jeanne! Jeanne! JEANNE Eh quoi! Ces prêtres que je vénérais, ce pauvre peuple que j aimais. Leur Jeanne, leur pauvre enfant avec eux c est vrai qu ils veulent la brûler? C est vrai qu ils me brûler… CHŒUR Assez! Assez! Assez! Jeanne! Jeanne! Jeanne! Qu on l enlève, qu on la tue, qu on la brûle! Hérétique! Sorcière! Relapse! FRERE DOMINIQUE Tu as entendu les voix du ciel, et maintenant écoute en bas ce qu ils en ont fait; écoute ce qu ils en ont retenu. Écoute les voix de la terre! BASSE SOLO (à la Bach) Mulier spiritum pythonis habens, anima quaedeclinaverit ad magos et ariolos et fornicatafuerit cum eis… CHŒUR (violemment) Joanna! BASSE SOLO (de même) Ponam, ponam faciem meam contra eam et interficiam eam de medio populi mei! CHŒUR (violemment) lex est! TENOR SOLO (Impérieuse) Joanna! CHŒUR Hic, hic, hic, hic, hic est Joanna. Hic est Joanna peccatrix! TENOR SOLO Stryga! CHŒUR Pereat! TÉNOR SOLO Haeretica! CHŒUR Pereat! TÉNOR Relapsa! CHŒUR Pereat! TENOR Malis artibus addicta! Inimica Regis et Populi! CHŒUR Morte moriatur! TÉNOR Prostibulum inferni! Instrumentum Satanae! CHŒUR Comburatur igne! JEANNE C est vrai! C est vrai! Je me souviens! Le feu qui brûle! Cette fumée qui étouffe! Oh comme cela fait mal! Prêtres! Prêtres de Jésus Christ! C est vrai que je faisais tant de mal? C est vrai que vous la détestiez tellement, votre pauvre Jeanne? CHŒUR (Sourdement) Pereat! FRERE DOMINIQUE Non, Jeanne, ce ne sont pas des prêtres qui t ont jugée. Quand ces bêtes féroces se sont réunies autour de toi, la rage au coeur et l écume aux crocs, ces prêtres, ces politiques, l Ange du Jugement qui tient les hautes balances d un soufflet il a fait tomber de leurs têtes et de leurs épaules la mitre, le capuchon et le froc. (Entrent les Juges en bottes dans un coin.) Les voici dépouillés comme des forçats! Qu ils reçoivent la coiffure qui leur est appropiée! Ils faut que Jeanne comme jadis ses soeurs sur l arène de Rome soit livrée aux bêtes! L élue de Dieu, la Sainte de Dieu. Ce ne sont pas des prêtres, ce ne sont pas des hommes, ce sont des bêtes qui vont la juger. Scène IV Jeanne livrée aux bêtes. (Entre l’appariteur avec plusieurs serviteurs portant les défroques, les masques et les coiffures) LE HERAUT (coup de trompette) La Cour! Faites silence! L APPARITEUR Qui sera le Président? LE HERAUT Le Tigre! CHŒUR Le Tigre! L APPARITEUR Le Tigre se récuse. LE HERAUT Le Renard! CHŒUR Le Renard! L APPARITEUR Le Renard dit qu il est malade. LE HERAUT Le Serpent! CHŒUR Le Serpent! L APPARITEUR Le Serpent s est sifflé lui-même au fond d un trou. LE HERAUT Mais alors il n y a personne pour présider? CHŒUR Mais alors? Si! Si! Si! fait! Il y a quelqu un! L APPARITEUR Qui est-ce? Qui se propose pour juger Jeanne d Arc? PORCUS Moi! Moi! Moi! Moi! Je me propose pour juger Jeanne d Arc. L APPARITEUR Qui êtes-vous? Comment vous appelez-vous? PORCUS Ego nominor Porcus. Je m appelle Cochon. Moi! Moi! Je suis le Cochon. CHŒUR Porcus! Porcus! Roin! Roin! Sit Porcus praeses noster! Non habemus alium judicem nisi Porcum. Vivat et semper vivat Porcus porcorum! Dignus, dignus est praesidere in nostro praeclaro corpore! Roin! Roin! Sicut lilium inter spinas, ita formosus iste inter cucullos! Quis enim dedit nobis patatas? Ceciderunt stellae de coelo et factae sunt pro nobis patatae? Ecce quam bonum et jucundum est habitare fratres in unum, omnes comedentes patatas. Quis judex sicut Porcus Dominus noster? Hic est Nasus inter nasos dijudicans truphas et patatas. Sternutatio ejus splendor ignis. PORCUS Moi! Moi! Je suis le Cochon! CHŒUR Porcus porcorum! Roin! Roin! Vivat et semper vivat Porcus praeses noster! (L’ Appariterr coiffe Porcus d’une tête de cochon- Le président ouvre la séance) L APPARITEUR Qui sont les assesseurs? CHŒUR Bée! bée! bée! (Tout avance à la fois) L APPARITEUR Qui êtes-vous? CHŒUR Ego nominor Péééééécus. L APPARITEUR Pecus de pecore, prenez-place à droite et à gauche et recevez vos insignes. (On les coiffe de têtes de mouton.) Et maintenant, où est le greffier? L ANE C est moi, l Âne! Asinus adest. (Vient le âne. Immense éclat de rire dans le choeur se terminant par des sanglots.) CHŒUR Ha! ha! ha! ha! ÂNE CHŒUR (comme aux fêtes de l’Âne au Moyen Age) BASSES, ENSUITE SOPRANOS Ecce magnis auribus Adventavit Asinus, Pulcher et fortissimus Sarcinis aptissimus. LES AUTRES Hé Sire Âne, ça chantez, Belle bouche rechignez, Vous aurez du foin assez, Et de l avoine à planté, Hi ha!, hi ha!, hi ha! PORCUS Faites entrer l accusée! (Entre Jeanne enchaînée.) Jeanne, successit illi praeclaro tribunali, je veux dire qu après de longs efforts ce sage et illustre tribunal a enfin réussi par des moyens tour à tour sauves et sévères, et par de patientes et ingénieuses interrogations tant physisques que morales, à éliciter la vérité du fond d une volonté égarée et d un coeur pervers. (Le Chœur d âne éclate soudain de rire) CHŒUR Ecce magnis auribus! LE HERAUT Silence! PORCUS Et maintenant il a plu au Roi de France et d Angleterre, notre légitime souverain… (Tous les lieu, renforcer leurs fausses têtes et retourner se pour asseoir) … De te convoquer ici pour entendre ta juste sentence. Tu vas ouir par quelles industries, dans sa grande miséricorde cette Cour sage et illustre que moi, Cochon, je préside… (Tous les lieu, saluent et revenir s asseoir) … A décidé de te débarrasser grâce à la flamme claire du feu de ce noir démon à laquelle tu t es criminellement enchevêtrée. Mais auparavant nous voulons encore une fois de ta bouche cet aveu solennel qui est nécessaire à la sécurité de nos consciences. À genoux! (Jeanne s agenouille) Joanna, filia Romae, faterisne et confiteris te tenerrimam puellam non naturali auxilio victoriam de manibus Regis Nostri… (Tous les lieu, saluent ) … Evulsisse et fortes exercitus ejus sicut paleam in probrosissimam fugam versisse? Traduisez! L ANE Jeanne, reconnais-tu que ce n est pas par tes propres forces et des moyens naturels que tu es venue à bout des Anglais? JEANNE Je l avoue! CHŒUR Elle avoue! PORCUS Écrivez! (Le notaire écrit) Joanna, filia Romae, faterisne et confiteris te auxilio Diaboli potentissimi alapum dedisse Regi Nostro et fortes exerci tus ejus in probrosissimam fugam versisse? Traduisez! L ANE Jeanne, reconnais-tu que c est par l aide du Diable, très puissant Notre Seigneur… (Tous font le geste de se lever.) PORCUS Assis! Assis! Quels idiots! Assis au nom du Diable! (Il arrache le papier des mains de l’Âne.) Jeanne, reconnais-tu que c est par l aide du Diable que tu as tout fait? JEANNE Je dis Non! PORCUS Qu est-ce qu elle dit? L ANE Elle dit qu elle dit oui! PORCUS Écrivez qu elle a dit oui. Et maintenant je vais consulter le tribunal. (S’adressant à droite au premier assis) Pecus, quid dicis? PECUS Bée, bée, bée, bée! PORCUS (s’adressant à gauche de même) Pecus, quid dicis? CHŒUR (a cappella) Bée, bée, bée! L ANE Habemus confitentem reum. PORCUS Docti et sancti fratres, sic vobis justum et aequum videtur ut Joanna, filia Romae, Stryga, morti condemnetur? CHŒUR (violemment) Moriatur stryga! PORCUS Fiat voluntas Regis Nostri! (Toutes salut) Audivistis sententiam. (Comme au début, montant) Stryga! CHŒUR Pereat! PORCUS Haeretica! CHŒUR Pereat! PORCUS Relapsa! CHŒUR Pereat! PORCUS Inimica Regis et totius generis humani! CHŒUR Morte moriatur! PORCUS Joanna Stryga, filia Romae! CHŒUR Comburatur igne! Scène V Jeanne au poteau (Hurlement du chien) JEANNE Quel est ce chien qui hurle dans la nuit? FRERE DOMINIQUE Ce n est pas un chien, c est Yblis le désepéré qui hurle tout seul au fond de l enfer! BASSES Hérétique! JEANNE Hérétique! BASSES Sorciére! JEANNE Sorcière! BASSES Relapse! JEANNE Relapse! BASSES Cruelle! JEANNE Cruelle! C est moi, Jeanne, qui suis tout cela? L Église, les prêtres, tout ce qu il y a au monde de respectable et de capable et de savant; c est cela, d une voix qui me condamne. Explique-moi, frère Dominique, qu est-ce que j ai fait? Lis-moi ce qui est dans le livre. FRERE DOMINIQUE Tous ces grands hommes qui t ont condamnée, ces docteurs et ces savants, Malvenu, Jean Midi, Coupequesne et Toutmouillé, ils croient dur au Diable, mais ils ne veulent pas croire à Dieu. Le Diable, c est une réalité les Anges, c est une bêtise. Le Diable que tu détestais, il t a aidée les Anges que tu invoquais, ils n ont rien fait. Et criminelle des deux côtés ils te condamnent de l une et l autre main. Telle est la sagesse de la Sorbonne. Tels sont ces illustres docteurs qui donnent des nazardes au Pape. JEANNE Mais moi, la pauvre pastoure de Domrémy, comment est-ce que je suis venue jusqu ici? FRERE DOMINIQUE Tu y es venue par l opération du jeu de cartes qu un roi fou a inventé. JEANNE Qu est-ce que c est que le jeu de cartes? FRERE DOMINIQUE On va te l expliquer. Scène VI Les rois ou l’invention du jeu de cartes HERAUT I (expliquant) Le jeu de cartes comprend quatre Rois, quatre Dames et quatre Valets. HERAUT II Sans compter les Chiffres qui sont sept. HERAUT I Le résultat de la partie est que les Rois chan gent de place. HERAUT II Ce qui était au midi va au nord. HERAUT I Ce qui était au levant va au couchant. Ça tourne. HÉRAUT II Quant aux Reines, elles ne changent pas de place, elles sont toujours là. HERAUT I Faites entrer Leurs Majestés! HERAUT III (Annonçant) Le Roi de France! (Entre le Roi de France qui va s’asseoir sur un trône.) Sa Majesté la Bêtise! (Entre la Bêtise.) Le Roi d Angleterre! (Entre le Roi d’Angleterre, un enfant.) Sa Majesté l Orgueil! (Entre l’Orgueil) Le Duc de Bourgogne! (Entre le Duc de Bourgogne.) Sa Majesté l Avarice! (Entre l’Avarice.) HERAUT II Et quel est le quatrième Roi? HERAUT I Dans toutes les parties de cartes il y a un mort. HERAUT III (Annonce à la porte) La Mort! (Entre la Mort.) HERAUT I Et voici maintenant sa compagne et très fidèle épouse, celle qui partage son lit. HERAUT III Sa Majesté la Luxure! (Entre la Luxure) HERAUT I Les Rois changent de place, mais les Reines, Sa Majesté l Orgueil, Sa Majesté la Bêtise, Sa Majesté l Avarice, Sa Majesté la Luxure, ces Majestés ne changent pas de place, elles restent toujours avec nous. HERAUT II Mais ceux qui jouent réellement la partie. ce ne sont pas les Rois, ni les Reines. ce sont les Valets. HERAUT I Faites entrer les Valets! HERAUT III Sa grâce le Duc de Bedford! Son Altesse Jean de Luxembourg! Sa Grandeur Regnault de Chartres! Guillaume de Flavy! (Ils entrent) JEANNE C est lui qui a baissé la herse derrière moi à Compiègne. HERAUT I Le jeu commence, il comprend trois parties. (Sonnerie de trompettes – Musique de vielle Il commence le jeu. Chaque de côté boîte de prises, deux autres carrés un de décoratifs chevaliers et autres de paysans ; c est-à-dire trois donnant Cannée et celui qui les reçoit) Première Partie REGNAULT DE CHARTRES J ai perdu, je veux dire que j ai gagné. BEDFORD J ai gagné, je veux dire que j ai perdu. Deuxième Partie GUILLAUME DE FLAVY La carte maîtresse. JEAN DE LUXEMBOURG Je coupe! Troisième Partie REGNAULT DE CHARTRES J ai gagné! DUE DE BEDFORD J ai perdu! GUILLAUME DE FLAVY J ai perdu, j ai de l argent plein les poches. JEAN DE LUXEMBOURG J ai gagné et j ai de l argent plein les poches. GUILLAUME DE FLAVY Messieurs, je vous livre Jeanne d Arc la Pucelle. BEDFORD La Sorcière! REGNAULT DE CHARTRES Bien le bonjour, Messieurs, et à l avantage de vous revoir! BASSES (sordide) Comburatur igne! Scène VII Cathérine et Marguerite (Cloches dans la nuit – des Voix) JEANNE Quelles sont ces cloches dans la nuit? FRERE DOMINIQUE Les cloches qui sonnent le glas. JEANNE Et qui invitent les bonnes âmes à prier pour Jeanne d Arc. FRERE DOMINIQUE Hérétique! Sorcière! Cruelle! Relapse! BASSES (sordide) Comburatur igne! JEANNE Merci, bonnes cloches! Mes soeurs! Mes amies! Mes voix qui s étaient tues, les voilà de nouveau qui parlent! FRERE DOMINIQUE La cloche noire et la cloche blanche! BASSES Comburatur igne! (Les deux cloches sonnent à la fois) CATHERINE De profondis clamavi ad te, Domine. MARGUERITE Spera, spira! spera, spira! Jésus! Marie! CATHERINE Libera me, Domine, de ore leonis dum veneris judicare saeculum per ignem. MARGUERITE Spera, spira! spera, spira! Jésus! Marie! BASSES Comburatur igne! JEANNE Catherine et Marguerite. Je les reconnais! La Catherine qui dit "De Profundis" et la Marguerite bleue et blanche dans le ciel qui dit "Papa! Maman!" Comme je les écoutais jadis à Domrémy, la Catherine et la Marguerite! Jésus! Marie! J ai écrit ces deux noms sur ma jolie bannière bleue et blanche. Jésus! Marie! Catherine! Marguerite! Et moi; ce petit bout de femme dans les orties et les boutons d or, si ébahie qu elle oubliait de manger sa tartine. CATHERINE, MARGUERITE (Soudain violent) Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va! va! JEANNE J irai! J irai! Je vais! Je suis allée! Où est ma bonne épée! CATHERINE, MARGUERITE Jeanne! Jeanne! Jeanne! Prends le Roi! Ramène le Roi de France! JEANNE C est fait! Je le tiens! J ai pris son cheval par labride! Je ramène mon gentil Roi! Je le ramène à travers la forêt! Je le ramène à travers la France! Scène VIII Le roi qui va-t-a rheims. (Cloches dans le lointain) CHŒUR (dans la lointain) VOIX D’ENFANTS (plus proches) Voulez-vous manger des cesses? Voulez-vous manger du flan? Quand irons-nous à Liesse? Quand irons-nous à Laon? BASSES La! la! la! la! LES AUTRES (Dans le tumulte) Heurtebise! Heurtebise! (Entre un cortège rustique escortant le Géant Heurtebise, qui n’est pas autre chose qu’un moulin à vent avec un grand chapeau de paille effilochée et une meule sous le bras comme une miche) Chanson D’Heurtebise CHŒUR Blanche ou grise Heurtebise Trouve que la farine altère, Heurtebise, mon compère, Qu as-tu fait de ta ménagère? Tout habillé de toile écrue Lustucru! Au prix de son beau blé jaune Réclame du vin de Beaune. Heurtebise, mon compère, Qu as-tu fait de ta ménagère? Tonneaux! tonneaux! tonneaux! la v là qu arrive par la Saône La Mère aux Tonneaux de Beaune, Tonneaux! tonneaux! tonneaux! CHANSON DE LA MERE AUX TONNEAUX Le vin de Beaune et de Troyes Le v là qu arrive tout droit. Heurtebise, mon compère, T as retrouvé ta commère. Nous avons bu trop de bière! Il nous faut du vin joli! Heurtebise, mon ami, Tu n auras plus la pépie! Heurtebise, c est fini De ce bouton sur la langue, Heurtebise, c est fini De rage et d esquinancie! (Heurtebise et la Mère aux Tonneaux se saluent solennellement.) HEURTEBISE (avec l’accent picard) Mère aux Tonneaux, il y a longtemps que je vous ai vue. LA MERE AUX TONNEAUX (avec l’accent de Bourgogne) Heurtebise, mon époux, vous avez bien mauvaise mine, mon pauvre, depuis l temps autrefois jadis que je vous ai pas vu. HEURTEBISE Madame Tonneaux, mon épouse, je vous apporte de la bonne galette au lard de Picardie. LA MERE AUX TONNEAUX Heurtebise, mon époux, qui virez à tous les vents, je vous apporte quelque chose qui vous fera t nir tranquille. HEURTEBISE Tonneaux, Tonneaux, ma femme! Tonneaux, Tonneaux, ma femme! Le bon pain de France et le bon vin de France, désormais, i ne faut plus qui soient séparés. LA MERE AUX TONNEAUX Heurtebise, mon ami, vous dites une bonne chose, et alors je vais vous embrasser. (Ils dansent grotesquement) CHŒUR ET VOIX D ENFANTS Vive Heurtebise! Vive la Mère aux Tonneaux! (Danse) Voulez-vous manger des cesses? etc. LE CLERC (se dressant tout droit au milieu d’eux comme une chandelle noire) Paysans! Croquants! Rustres agrestes et grossiers! N avez-vous point vergogne de vous réjouir ainsi comme des païens en cette santie veille de Noël pendant que le Roi Notre Seigneur se rend à Rheims pour y être consacré de la Main des Anges? UN PAYSAN Et c’est-i pas le moment de boire un petit coup parce qu’Heurtebise a retrouvé Jean Raisin, et que la moitié de la France sur son coeur a retrouvé l’autre moitié? UN AUTRE Surtout qu’i fait rudement frisquet, on peut le dire, à rester tout gelés comme ça à attendre. Un petit coup de vin, un petit air de danse, ça ne fait de mal à personne. LE CLERC La forêt elle-même pour se préparer aux mystères de cette sainte nuit s’est couvert la tête d’un voile blanc. Et vous autres, préparez vos coeurs au mystère qui va s’accomplir. UN PAYSAN Oh! Perrot, là-haut! oh! Perrot, là-haut! est-ce que tu vois quèqu’chose? PERROT, DU HAUT DE L’ARBRE Je vois une petite lumière CHŒUR Le Roi! Le Roi de France! LE CLERC Allons, mes enfants! Venez tous autour de moi et répétons tous ensemble cette belle antienne de latin tout blanc que je vous ai apprise. La terre a étendu un grand tapis de neige sous les pieds du Roi Notre Sire. Et nous de la Loire jusqu’à Rheims il faut que nous étendions un grand tapis de prières. (La flûte exécute l air “Aspiciens a longe”) Aspiciens a longe. Vous comprenez c’est le peuble Juif qui attend Le Messie comme nous le Roi notre Sire. Aspiciens a longe. Regardant de loin là-bas dans la distance la main au dessus des yeux et tout est plein d’obscurité et de confusion. CHŒUR Aspiciens a longe, ecce video Dei potentiam venientem et nebulam totam terram tegentem. VOIX D ENFANTS Ite obviam ei et dicite BASSE SOLO Nuntia nobis si tu es ipse… CHŒUR …qui regnaturus es in populo Israël. Rhythme de la marche royale (Loin) VOIX DE PERROT La v la qu arrive! Le Roi! Le Roi de France! (Trompettes et cris à distance) TOUTS Le Roi qui va-t-à Rheims! (Une partie de l auditoire se précipite vers le bas, où une procession à l emblème de cheval éclairé par des torches. La flûte prend plus doucement El tema « Aspiciens a longe »…) LE CLERC Qui regis Israël. CHŒUR Nuntia nobis si tu es ipse. (Le cortège à cheval s’éloigne et s’éteint.) CHŒUR Voulez-vous manger des cesses? Voulez-vous manger du flan? Quand irons-nous à Liesse? Quand irons-nous à Laon? LE CLERC (achevant l’antienne) Qui regnaturus es in populo Israël. JEANNE C est moi qui ai fait cela! FRERE DOMINIQUE C est! Dieu! C est Dieu qui a fait cela! JEANNE C est Dieu! C est Dieu avec Jeanne! Les voix ne m avaient pas trompée! Catherine et Marguerite, elles ne m ont pas trompée! CHŒUR Coupequesne, Jean Midi, Toutmouillé, Malvenu. Ils déclarent que tu t es trompée. JEANNE Le Roi ne voulait pas venir et c est moi qu ai pris son cheval par la bride. CHŒUR Sorcière! Cruelle! Hérétique! Schismatique! Homicide! Relapse! Imposture! Hystérique! Prostituée! JEANNE C est moi que l ai amené à travers toute la France! CHŒUR Pereat Stryga! (Crescendo) JEANNE C est moi qui l ai amené à Rheims! CHŒUR Morte moriatur! JEANNE C est moi qui ai sauvé la France! C est moi qui ai réuni la France! Toutes les mains de la France en une seule main! Un telle main qu elle ne sera plus divisée! CHŒUR Comburatur igne! FRERE DOMINIQUE Jeanne! Jeanne! Jeanne! Est-ce pour un Roi de chair que tu as donné ton sang virginal? Scène IX L’épée de Jeanne (Le jour se lève) MARGUERITE (dans la ciel) Spera! Spira! Spera! Spira! Spera! Spira! JEANNE J entends Marguerite dans le ciel mélangée à l exalation des rossignols et les douces petites étoiles à la voix de cette active soeur sacristine s éteignent l une après l autre. CHŒUR (a bocca chiusa pendant le dialogue suivant) FRERE DOMINIQUE Les pages de nuit, de sang, d outre-mer et de pourpre se sont effeuillées sous mes doigts et il ne reste plus sur le parchemin virginal qu une initiale dorée. JEANNE Que c est beau cette Normandie toute rouge et rose, toute rouge de bonheur, toute rose d innocence qui se prépare à faire avec moi la sainte communion dans l étincelante rosée! Que c est beau pour Jeanne la Pucelle de monter au ciel au mois de mai! Que tu es belle, ô ma belle Normandie, mais que dirais-tu, Frère Dominique, si, Marguerite et moi, nous pouvions t expliquer notre Lorraine? FRERE DOMINIQUE Parle, Jeanne, car je sais qu il ya des choses qu une petite fille peut m expliquer, moi, qui, ceint de fer et de cuir et les yeux fermés ai marché de bonne heure dans les sentiers de la pénitence. JEANNE Et que puis-je t expliquer, quand il y a encore au ciel une douzaine d étoiles au moins qui en savent plus que moi? FRERE DOMINIQUE Explique-moi ton épée! Est-ce vrai que tu as trouvé ton épée, cette terrible épée devant laquelle se sauvaient Anglais et Bourguignons, dans une chapelle en ruines? JEANNE Non, ce n est pas une chapelle en ruines! C est a Domrémy qu on me l a donnée. Ma bannière dans la main gauche, mon épée dans la main droite, ah! qui m aurait résisté? Jhésus Marie! Jhésus Marie! MARGUERITE (dans la ciel) Jhésus Marie! Jhésus Marie! (La musique, il se lève lentement) CATHERINE Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va! va! JEANNE Je vais! Je vais! J irai! Je suis allée! FRERE DOMINIQUE A qui est-ce que tu parles ainsi? JEANNE Es-tu sourd? N entends-tu pas les voix qui disent Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va, va! Ah, ce n est plus sorcière maintenant qu elles disent, c est mon petit nom de chrétienne, celui que j ai reçu au baptême, Jeanne! Ce n est plus hérétique et relapse et je ne sais quoi, et tous ces vilains noms. C est fille de Dieu! C est beau d être la fille de Dieu! Et ce n est pas seulement Catherine et Margherite, c est tout le peuple ensemble des vivants et des mort qui dit fille de Dieu! Jeanne! Jeanne! Fille de Dieu, va! va! va! Bien sûr que j’irai! CATHERINE, MARGUERITE, CHŒUR (Doucement et affaiblissement) Jeanne! Jeanne! Jeanne! Fille de Dieu, va, va, va! FRERE DOMINIQUE Mais tu ne m as pas expliqué l épée. JEANNE Mais pour que tu comprennes l épée, frère tondu, il faudrait que tu sois une petite fille Lorraine! Je peux pas faire de toi une petite fille Lorraine! Je peux pas te prendre la main et t amener avec nous pour chanter Trimazo avec Aubin et Rufin! VOIX D ENFANTS Trimazo! JEANNE Écoute ce qu ils disent! UNE VOIX D ENFANT En revenant de ces verts champs, j avons trouvé les blés si grands les aubépines fleurissant devant Dieu. JEANNE Écoute! Écoute! VOIX D ENFANTS Quand vous couchez vot bel enfant que Dieu le garde à son coucher et à tout heure de la journée devant Dieu. C est le Mai, mois de Mai, c est le joli mois de Mai! Un petit brin de vot farine, un petit oeuf de vot géline, c est pas pour boire ni pour manger, c est pour avoir un joli cierge, pour y lumer la Sainte Vierge, devant Dieu. CORO (bocca chiusa) JEANNE As-tu compris, frère Dominique? Ah, moi! Il n y a pas eu besoin de Coupequesne et Toutmouillé pour me l expliquer! C est le tilleul devant la maison de mon père, comme un grand prédicateur en surplis blanc dans le clair de lune, qui m a tout expliqué! VOIX D’ENFANTS C’est le Mai, mois de Mai, C’est le joli de Mai! FRERE DOMINIQUE Explique, et moi j écoute. JEANNE Quand il fait bien froid en hiver et que le froid et la gelée resserrent tout et on dirait que tout est mort, et les gens sont morts de froid et il y a de la neige et la glace sur tout comme un drap, et comme une cuirasse… et on croit que tout est mort et que tout est fini. BASSE SOLO (Au loin) Mais il y a l espérance qui est la plus forte. JEANNE On croit que tout est fini, mais alors il y a un rouge-gorge qui se met à chanter. MARGUERITE ET CATHERINE Fille de Dieu, va, va, va! JEANNE Il y a un mauvais petit vent venu d on ne sait où qui se met à souffler! Il y a une certaine petite pluie chaude qui se met à tomber sur vous. CHŒUR Il y a toute la forêt là-bas qui se met en mouvement! Il y a l espérance qui est la plus forte! JEANNE Et alors le temps de fermer les yeux et de compter jusqu à trois et tout est changé! Le temps de compter jusqu’à quatre, et tout est changé! MARGHERITE, CATHERINE, SOPRANOS Fille de Dieu, va! va! va! JEANNE Tout est blanc! tout est rose! tout est vert! CHŒUR Il y a toute la forêt là-bas qui se met en mouvement! JEANNE Celui qui voudrait empêcher les mirabelliers de fleur il faudrait qu il soit bien malin! Celui qui voudrait empêcher les cerisiers de ceriser, tellement que tout est plein de belles cerises… Mon père dit qu il faudrait qu il se lève matin de bonne heure! C est alors que Catherine et Marguerite se mettent à parler. BASSES Coupequesne-Jean Midi-Malvenu -Toutmouillé. Ils disent que tu t est trompée! JEANNE Et quand Jeanne au mois de Mai monte sur son cheval de bataille, il faudrait qu il soit bien malin celui qui empêcherait toute la France de partir! Les entends-tu ces chaînes de tous les côtés, qui éclatent et qui cassent? Ah! ces chaînes que j ai aux mains, elles me font rire! Je ne les aurai mie toujours! On a vu ce que Jeanne peut faire avec une épée. La comprends-tu maintenant, cette épée que Saint Michel ma donnée? Cette épée! Cette claire épée! Elle ne s appelle pas la haine, elle s appelle l amour! VOIX D ENFANTS Madame, nous vous remercions De vos bonnes intentions, Nous prions Dieu dans vot maison Aussi quand nous en sortirons. Devant Dieu. CATHERINE Rouen! Rouen! Rouen! JEANNE Rouen! Rouen! Tu as brûlé Jeanne d Arc, mais je suis plus forte que toi et tu ne m auras mie toujours! BASSES Jean Midi, Coupequesne, Toutmouillé, Malvenu. SOPRANOS, ALTOS Fille de Dieu, va!va!va! JEANNE Il y a l espérance qui est la plus forte! MARGUERITE Ah! JEANNE Il y a la foi qui est la plus forte! CHŒUR Il y a l’espérance qui est la plus forte! Il y a la joie qui est la plus forte! Fille de Dieu, va, va, va! MARGUERITE ET CATHERINE Fille de Dieu, va, va, va! MARGUERITE Spira! Spera! JEANNE Il y a Dieu! Il y a Dieu qui est le plus fort! VOIX D ENFANT C est le Mai, le mois de Mai, C est le joli mois de Mai! Scène X Trimazo JEANNE Un petit brin de vot farine, Un petit oeuf de vot géline, une petite larme pour Jeanne! une petite prière pour Jeanne! une petite pensée pour Jeanne! C est pas pour boire ni pour manger, C est pour aider avoir un cierge, Pour y lumer la Sainte Vierge. C est moi qui vais faire le joli cierge. Scène XI Jeanne d’arc en flammes LA VIERGE (au-dessus, sur le pilier de Jeanne) J accepte cette flamme pure. (Cependant dès les scènes précédentes la foule lentement s’est rassemblée devant l’échafaud hommes, femmes et enfants, formant transition avec le Choeur et le Public. Chœur divisé en différents Demi choeurs. Lecture) DEMI CHŒUR I C est écrit Jeanne - c est écrit sorcière - c est écrit hérétique – ennemie de tout le monde – c’est écrit - c’est écrit! DEMI CHŒUR I Jeanne la Sainte! Jeanne la Vierge! Jeanne la Pucelle! CHŒUR C est bien fait! C est elle qui a fait tout le mal! C est bien fait! De quoi c est qu elle s est mêlée? C est bien fait! Sans elle on serait tranquille! C est bien fait! C est elle qui a battu les Anglais! C est elle qui a ramené notre Roi à Rheims! Avec le secours du Diable! Avec le secours de Dieu! Qui est cette Jeanne au juste? Et si elle est de Dieu ou du Diable… Le feu va en décider. (à voix basse) Loué soit notre frère le feu qui est sage, fort, vivant, ardent, acéré, incorruptible. Loué soit notre frère le feu qui est savant à séparer l âme de la chair et de l esprit la cendre! JEANNE Eh quoi! Mon peuple, peuple de France! Il est vrai, Il est vrai que tu veux me brûler vive? LE PEUPLE Elle se réveille comme d’un rêve! JEANNE Et ce prêtre qui était là tout à l heure et qui me tenait à lire ce livre où je lisais? Il n est plus là, il me quitte, il est descendu. il n est plus là et je suis seule. LA VIERGE (au-dessus d’elle) Jeanne, Jeanne, tu n es pas seule! JEANNE J entends une voix au-dessus de moi qui dit “Jeanne, Jeanne, tu n es pas seule!”. LE PEUPLE Jeanne, Jeanne, tu n es pas seule! Il y a ce peuple en bas qui te regarde! JEANNE Je ne veux pas mourir! LE PEUPLE Elle dit qu’elle ne veut pas mourir! JEANNE J ai peur! LE PEUPLE Elle dit qu elle a peur. Ce n est qu une enfant après tout. Ce n était qu une pauvre enfant. Elle dit qu elle a peur UN PRETRE Signe donc! Signe ce papier! Avoue, avoue que tu as menti! JEANNE Et comment signerais-je lorsque mes mains sont liées? UN PRETRE On va t enlever tes chaînes. JEANNE Il y a d autres chaînes plus fortes, qui me retiennent. UN PRETRE Et quelles chaînes plus fortes? JEANNE Plus fortes que les chaînes de fer, les chaînes de l amour! C est l amour qui me lie les mains et qui m empêche de signer. C est la vérité qui me lie les mains et qui m empêche de signer. Je ne peux pas! Je ne peux pas mentir! LA VIERGE Jeanne, Jeanne, confie-toi donc au feu qui te délivrera! CHŒUR Loué soit notre frère le feu qui est pur, ardent, vivant, pénétrant, acéré, invincible, irrésistible, incorruptible. Loué soit notre frère le feu qui est puissant à rendre l esprit à l esprit et cendre cendre, ce qui est cendre à la terre. JEANNE Mère! Mère au-dessus de moi! Ah! J ai peur du feu qui fait mal! CHŒUR Loué soit notre frère le feu qui est sage, fort! Loué soit notre frère le feu qui est savant à séparer l’âme de la chair. Jeanne au-dessus de Jeanne! Flamme au-dessus de la flamme! LA VIERGE Tu dis que tu as peur de feu et déjà tu l as foulé aux pieds. JEANNE Cette grande flamme, cette grande flamme horrible, c est cela qui va être mon vêtement de noces? LA VIERGE Mais est-ce que Jeanne n est pas une grande flamme elle même? Ce corps de mort est-ce qu il sera toujours puissant à retenir ma fille Jeanne? CHŒUR Louée soit notre soeur la flamme qui est pure, forte, vivante, acérée, éloquente, invincible, irrésistible! Louée soit notre soeur la flamme qui est vivante! Louée soit notre soeur Jeanne qui est Sainte, droite, vivante, ardente, éloquente, dévorante, invincible, éblouissante! LA VIERGE Le Feu, est-ce qu il ne faut pas qu il brûle? Cette grande flamme au milieu de la France, est-ce qu il ne faut pas, qu elle brûle? CHŒUR Louée soit nottre soeur Jeanne qui est debout toujours comme une flamme au milieu de la France! LA VIERGE, MARGUERITE, CATHERINE (du ciel, avec une tendresse) Jeanne! Jeanne! Jeanne! Fille de Dieu! Viens! Viens! Viens! JEANNE Ce sont ces chaînes encore qui me retiennent! CHŒUR Il y a la joie qui est la plus forte! Il y a l amour qui est le plus fort! Il y a Dieu qui est le plus fort! JEANNE Je viens! Je viens! J ai cassé! J ai rompu! (Elle rompt ses chaînes.) CHŒUR La chaîne qui reliait Jeanne à Jeanne! La chaîne qui reliait l âme au corps! JEANNE Il y a la joie qui est la plus forte! Il y a l amour qui est le plus fort! MARGUERITE (dans le ciel) Hi…! Ah…! JEANNE Il y a Dieu qui est le plus fort! CATHERINE, ENFANTS (dans le ciel) Personne n a un plus grand amour que de donner sa vie pour ceux qu il aime. LA VIERGE, MARGUERITE, CATHERINE APRES CHŒUR (sur la terre) (comme si elles épelaient une inscription) Personne n a un plus grand amour – que de donner sa vie pour ceux qu il aime. (Plus faible et plus solennelle, comme s ils meditasen le sens) Personne n a un plus grand amour que de donner sa vie pour ceux qu il aime. Honegger,Arthur/Jeanne d Arc au bûcher